The Molotovs just can’t seem to slow down. Exceptionally young yet incredibly stylish, the Mod-pop duo occupies an upstairs corner at the Marquis, a charming Central London pub adorned with memorabilia from notable acts like The Style Council, The Kinks, and Oasis, alongside underground favorites. Although they're supposed to be taking a break—a rare free moment in their schedule, claimed by their press officer—Mathew Cartlidge finds the allure of the stage irresistible and has announced an acoustic performance in the pub in just a few hours.
"We're nearing our 600th gig together," beams Issey Cartlidge, the sister and bass player. "It's been quite a whirlwind!"
You can definitely say that again. With an unrelenting tour schedule and a tendency to execute bold pop-up shows—including a performance on the steps of Wembley before a Coldplay concert—The Molotovs have built their following the traditional way. Fueled by youth and boundless energy, they're fully committed to this endeavor. "We started this with the mission of creating something, so we’re not going to skimp on it, you know?" Mat reflects. "What we’ve been given is incredibly appealing. We’re making this happen for ourselves."
Their videos from street performances have gone viral, with fans captivated by their vintage-inspired style and sharp riffs. Combining the rawness of The Clash with the continental cool of The Style Council—and a touch of Bowie’s glam—The Molotovs are concocting a new Britpop blend for the modern era. Supported by Marshall Records, the stylish label linked to the iconic amplifier brand, their debut album ‘Wasted On Youth’ is set to be released in January.
"We went in with fully formed songs and built from there," Mat notes. "It might sound dull, but it’s all about the music!"
With anthems that seem to strike a chord with listeners on a profound level, each new release by The Molotovs resonates deeply. Fans follow them from show to show, with some traveling to Madrid, where they encountered fellow supporters in their hotel’s lobby.
"Fans and friends aren’t separate," Issey points out. "They’re the same people. On tour, we see them up front during the show, and then at the bar afterward."
"We don’t believe in that divide," Mat adds. "Our interactions don’t end at the barrier."
Issey continues, "A lot of current music comes from across the Atlantic. We’re very British, and there’s a demand for that. Just look at how people are eager to get Oasis tickets! There’s a desire for a hopeful sense of British pop." Mat emphasizes that their lyrics are drawn from their own experiences, addressing the challenges young people face, while also providing solutions and hope rather than sinking into despair. "Our fans deal with their own struggles," he says, "but we want to offer solutions and positivity instead of just dwelling on the negative."
"A lot of young people seem to resonate with what we’re creating," he adds. "They feel a sense of belonging to our band, something that feels truly theirs. It’s something grassroots."
Later that night, CLASH experiences what The Molotovs have been describing. Mat performs passionately, strumming his acoustic guitar and articulating each lyric. The venue is packed—there are older Mods and punks in the back, excited by the youthful energy. Up front, indie fans are transitioning into Mods, while psychedelic fans wear Tootal scarves. The boundary between band and audience is disappearing, yielding a new style.
Mat is dressed in a custom Mod suit from Adam Of London, a key style shop influenced by the 60s, located conveniently close to the pub. There’s a touch of vintage flair as well, and he pauses to admire a Style Council poster on the wall, appreciating the meticulous detail of Paul Weller’s iconic 80s outfits. "Your eye is drawn to what you admire," he expresses.
Issey, vibrant and lively, stands out in a burst of color. An extrovert on stage, she gravitates toward vintage flair, often referencing Debbie Harry, yet combines elements from London’s markets and her finds. "You emulate those who inspire you," she explains. "I feel like my style is a mix of glam rock, punk, new wave, Britpop… and even a hint of 50s aesthetics. It’s all fused together."
Even their idols notice their vibe. The Molotovs have opened for the Sex Pistols—featuring Frank Carter as the frontman—at London’s Royal Albert Hall and have toured with The Damned and Iggy Pop. To them, it feels like a dream realized. "We got into music because we’re passionate about it. Once we dive into that, we can relax and talk about what we love—music," Mat emphasizes.
This sense of community is central to the band's ethos. "There’s
The Molotovs simply can't seem to quit. Remarkably youthful – and effortlessly chic – the Mod-pop pair are perched on the upper level of the Marquis, a nice little spot.
