Interview: Vincent Mason Transforms Bedroom Demos into a Groundbreaking Debut with 'There I Go' - Atwood Magazine

      With a voice that feels immediately familiar, Georgia native Vincent Mason offers a new perspective on country storytelling in his genuine and captivating debut album, ‘There I Go.’

      Prior to stepping onto the stage, Mason was a 19-year-old college student who spent his time during the pandemic writing songs in his bedroom, uncertain if anyone would ever hear them. “My dad’s a straight shooter. He told me, ‘If you’re not good, I’ll let you know.’ So, I finally played him a few,” Mason reminisces. “And he said, ‘There’s actually something there. You should keep at it.’” That simple acknowledgment changed everything and led to his debut album, ‘There I Go,’ set to be released on November 7. This marks another significant milestone for the emerging country artist, who has already appeared at Stagecoach, opened for Gavin DeGraw, and performed “Hell Is a Dance Floor” on The Kelly Clarkson Show.

      Throughout 14 tracks, Mason demonstrates his talent as a natural storyteller, with a voice that feels as warm and comfortable as a well-worn pair of jeans. He co-produced the album alongside Jake Gear, who has collaborated with some of the most successful country songwriters, and co-wrote nearly every song, partnering with ACM Songwriter of the Year Jessie Jo Dillon, Grammy-nominated Geoff Warburton, and country-rock artist Chase McDaniel.

      A self-described perfectionist, the 24-year-old singer/songwriter took his time to create a lasting first impression, incorporating subtle influences from artists he grew up listening to, such as Maroon 5, Jack Johnson, and John Mayer. Reminiscent of early Kacey Musgraves and Parker McCollum, ‘There I Go’ explores familiar themes of youthful ambition, self-discovery, and a balanced mix of songs about “leaving” and “being left,” all presented from a surprisingly mature viewpoint. A prime example is “Sit With It,” a contemplative ballad that compels listeners to fully embrace heartbreak rather than avoid or rush through it. “I’ve written a lot of heartbreak songs, but this one felt different,” says Mason. “Instead of going out and drinking about it, I decided to just sit with it this time. And that became the song.”

      Many of his songs originate from small, everyday experiences. For instance, “Good Run” was inspired by a phrase his crew uses at the end of each tour. “Everyone says, ‘Alright, good run, see y’all soon.’ I was doing laundry, preparing to head back out, and the words just flowed. My producer advised me not to finish it, saying, ‘It says so much with so little.’” Other tracks highlight his personal journey, such as “Days Are Numbered,” which includes the line, “a thousand tickets better turn it up to ten,” reflecting his aspiration to sell out shows. “When I was 19, a thousand tickets was my goal. That’s what Parker McCollum and Riley Green were achieving at that time. I thought it was incredible.”

      The title track, “There I Go,” is autobiographical and portrays the “quiet and somewhat shy” kid raised in Roswell, Georgia. Growing up in the southern state—home to country icons like Alan Jackson, Thomas Rhett, and Luke Bryan—influenced his musical style and approach. After realizing college life at Ole Miss wasn’t for him, Mason received a not-so-gentle nudge from his mother to pursue his dream and move to Music City. “I told my parents I wasn’t looking forward to going back. I thought I wanted to move to Nashville to write songs. I hesitated and said maybe after another year. But my mom insisted, ‘No, you said it, so you’ve got to do it now.’” Within days, he transferred to Lipscomb University in Nashville, joining its newly launched music program just six days before the semester began. “It felt like a divine intervention,” he states. “I could no longer ignore it.”

      Now, Mason is prepared to demonstrate that taking a risk was worthwhile for the introverted teenager who transitioned from writing songs in his bedroom to performing on national stages and aspiring for larger audiences. “We’re putting this album out, and then we’ll be headlining again from January through May,” he explains. “Opening for major tours is fantastic, but nothing compares to the feeling when people sing along to every song.”

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      :: stream/purchase ‘There I Go’ here ::

      :: connect with Vincent Mason here ::

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      “Damned If I Do” – Vincent Mason

      Vincent Mason © Patrick Tracy

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      Connect with Vincent Mason on Facebook, X, TikTok, Instagram

      Discover new music at Atwood Magazine

      © Patrick Tracy

      An album by Vincent Mason

Less than five months after his successful headline performance on the Other Stage at Glastonbury, London rap artist Loyle Carner brought the essence of his fourth studio album ‘Hopefully!’ to the renowned O2 Academy Brixton for a sold-out four-night run, featuring support from talents like Rejjie Snow, Navy Blue, Léa Sen, and Brian Nasty. Carner’s debut album ‘Yesterday’s Gone’ was released in 2017, and his ascent to fame has been both remarkable and steady since then. His latest album primarily addresses themes of family, showcasing his vulnerability and humility on tracks like ‘About Time’ and ‘Feel at Home’—where he candidly discusses the challenges of managing fatherhood alongside fame and a busy touring schedule. True to his musical style, the overarching themes remain those of love, hope, and gratitude. He opens the homecoming performance with ‘all i need’—one of the lead singles from the new album that expresses a desire for peace amid life's challenges. As he and the band take the stage, they are greeted with loud, ecstatic cheers that resonate throughout the hour and a half that follows. The excitement momentarily subsides during the transitions between songs, during which Carner expresses his gratitude to the audience, his band, and the venue staff in his signature heartfelt way. After starting the set with several tracks from ‘Hopefully!’, the crowd's audible joy at the familiar saxophone riff from his 2017 hit ‘Ain’t Nothing Changed’ proved that interest in his earlier work remains strong, despite the influx of new fans he has gained with each album release. This was further confirmed during his performance of ‘Damselfly’, where the entire audience joyfully sang along to Tom Misch’s catchy hook. At one point, a woman fainted in the crowd. Upon noticing, Carner took a moment to pause the show to check on her and thanked the audience for their composure. Once the situation was under control, he encouraged everyone to take a few deep breaths and expressed appreciation for the venue’s security team for their swift response. “This place gets a bad reputation, but it’s a beautiful, special place, man!” he said to the audience, referring to the venue's negative publicity following the tragic events at a sold-out Asake concert in December 2022 where two fans lost their lives due to an unauthorized entry attempt. Carner dedicated ‘Homerton’ to the NHS and then welcomed American rapper and professional skateboarder Navy Blue for a soulful performance of ‘Purpose’. The crowd cheerfully filled in for Jorja Smith on the ethereal chorus of ‘Loose Ends’—one of five tracks from Carner’s second album ‘Not Waving, But Drowning’ included in the set. Similar to his earlier Glastonbury show, Carner's careful arrangement of the performance created a relaxed, contemplative, and immersive experience of jazz-infused hip-hop over the hour and a half. However, it was regrettable to see some of his earlier upbeat tracks, like ‘No CD’ and ‘The Isle of Arran’, not included. The band also enhanced the performance by delivering some exceptionally cool solos, particularly from Portuguese guitarist Raquel Martins, who recently released her debut album ‘LONDON, WHEN ARE U GONNA FEEL LIKE HOME?’ in May, and who also supported Carner during his warm-up shows at KOKO in Camden last month. Words: Fin Harrison Photography: Rory Barnes Join us on WeAre8, as we delve into global cultural events. Follow Clash Magazine HERE to navigate through clubs, concerts, interviews, and photo shoots with us. Get exclusive backstage glimpses and insights as the fun unfolds.

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Interview: Vincent Mason Transforms Bedroom Demos into a Groundbreaking Debut with 'There I Go' - Atwood Magazine

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Interview: Vincent Mason Transforms Bedroom Demos into a Groundbreaking Debut with 'There I Go' - Atwood Magazine