Daniel Avery notes that Demise of Love entered the studio for the first time “armed only with a love for each other’s work,” and this is clearly evident. This bold statement from the trio, which includes Syd Minsky-Sargeant of Working Men’s Club and James Greenwood of Ghost Culture, showcases their individual electronic talents. Their synergy is apparent; each member has space to express themselves, with Syd leading on the opening track ‘Strange Little Consequence’. The thematic elements reflect his previous works, with politically charged lyrics, while sonically his collaborators push him into new realms, featuring expansive synth layers that support a powerful chorus. Additionally, the music incorporates influences ranging from acid house and Detroit techno to post-punk and industrial rock; the intense ‘Be A Man’ captures genuine tension, while the more subdued ‘Like I Loved You’ reveals a different facet of the trio. 'Carry the Blame' hints that abrupt style shifts will be a defining characteristic for the group moving forward, as its tranquil atmosphere quickly transitions into vibrant electronica. Most thrillingly, this initial four-track release feels like just a precursor for Demise of Love, indicating that their finest work is still to come.
An impressive experience right from the beginning.
Heavenly and spirit-filled.
The sound of him genuinely starting to spread his wings as a solo artist.
Much more than mere excitement.
Singer/songwriter Miist presents a poignant essay discussing the worldwide loneliness epidemic, the touching story that motivated her to create “Could You Lend Me a Smile,” and her goal to foster human connection through music, empathy, and 15 seconds of deliberate kindness, as part of Atwood Magazine’s Mental Health Awareness Month series!
Interestingly, there is a feeling that this initial four-track release is just a warm-up.