Atwood Magazine once again took on Austin, Texas’ SXSW Music Festival and put together a shortlist of the week’s standout performances!
A week has elapsed, and Austin is finally starting to recover from another whirlwind year of South by Southwest. After a week (and two days) filled with countless steps, waiting for public transport amid understandably frustrated bus drivers, hunting for Ubers to escape I-35 traffic, and coping with Texas weather’s sudden temperature shifts – I made it through SXSW. I have never been more thankful to live in Austin… primarily because I could return to my own bed and enjoy meals at home instead of relying on hotel beds and expensive snacks. Additionally, the city’s deep-rooted connection to music is irreplaceable.
As anticipated, every venue was packed, showcasing lineups that included local favorites such as punk-rock band Gus Baldwin & The Sketch and classic country group Chaparelle, alongside visitors like Montreal’s dreamy pop/rock artist Alicia Clara, indie-rock band Monobloc from New York, and many others. Julien Baker and TORRES performed their first official live show, while St. Vincent capped off the week with a surprise set. Naturally, there was a myriad of unfamiliar sounds… and I’ve conveniently gathered the top performances for you.
— —
shishi? yesyes.
An ethereal presence emerges from the frigid Baltic Sea, splitting into three – a fitting explanation for the mesmerizing harmony of the three women in shishi. Originating from Lithuania, this trio blends eclectic rock subgenres with pop elements – a welcome find in a saturated field.
Victoria’s bass lines loosen as Benadetta delivers punchy hits, twisting with Teresa’s smooth Stratocaster additions, and crumble beneath their clever lyrics, “You didn’t do your homework / Probably your dog ate it / Or maybe it ate your brain / Is your dog OK” (“Dog OK”). In line with their playful tone, their names are merely assumed identities… so who is shishi? And how soon can I get more of their funky, wavy, unconventional sounds flowing into my veins?
Laura Lee & the Jettes Surpass Language
Krautrock in Texas? It’s more possible than you might think. Alt-rock energy jolts awake the midnight crowd as Laura Lee & the Jettes take the stage. “Thank you for your unsolicited advice / I’d get back to you / But I think we’re doing fine,” Laura Lee retorts to a voice that mansplains motherhood during the song (“Unsolicited Advice”).
Shifting to her native language, the English-speaking audience absorbs every word as though they were German. Clad in a loose hockey jersey and holding a Jazzmaster, the Berliner weaves through the dancing crowd mid-song while her three male band members support their dynamic frontwoman. A sonic frenzy ensues as drums thunder, bass tightens, and rapid, heavy guitar strums amplify the crowd's excitement.
Joan & the Giants’ Lively Sonics
Dressed in red, from her dyed hair to her flowing dress, Grace Newton-Wordsworth effortlessly captivates the audience with her energy and catchy pop/rock melodies. The Perth-based four-piece (an Atwood Magazine 2025 artist to watch) reflects off the mirrored walls, their vibrant presence resonating from all angles. The small stage bounces under the Australian’s bare feet with each leap toward the microphone.
With her hair veiling her face, she manages to shred and sing flawlessly; her three bandmates elevate the sound even further. Expressing a desire to release anger, four familiar chords ring out as she channels her inner Dolores O’Riordan for a remarkable rendition of “Zombie.”
— —
— — — —
Connect with us on
Facebook, Twitter, Instagram, Threads
Explore new music on Atwood Magazine
New Music Releases & Upcoming Albums:: 2025 Calendar ::
In essence, the new Mumford & Sons album (‘Rushmere’) gives the sensation of being wrapped in a comforting embrace, perhaps following a tough day. The
Bon Iver's deeply personal "If Only I Could Wait" (featuring Danielle Haim) combines sorrowful folk elements with ethereal production to delve into the delicacy of love and the emotional fatigue that can come after its initial bliss.
Die Spitz, a breakout band from Austin, Texas, have been signed by Third Man Records. The group is considered cult legends in their hometown, and CLASH captured two electrifying performances.
Late Night Drive Home has revealed the details of their debut album, titled "As I Watch My Life Online." The band embodies the essence of the internet generation, and the
Katherine DePaul, an artist manager and co-founder of ARTIST VISION, offers her essay titled 'Paula Cole, a Masterclass in Artistic Authenticity' as part of Atwood Magazine’s series for Women’s History Month!
CHANEL has introduced JENNIE as the latest representative for its Chanel 25 handbag campaign, alongside pop star Dua Lipa, whose campaign was announced in January.
Atwood Magazine once again covered Austin, Texas' annual SXSW Music Festival and gathered a shortlist of the top performances from the week!