Come Together isn't just a festival; it exemplifies what northern identity represents when showcased on stage. Northern festivals carry a distinct significance. They prioritize community over polish and commercialism. From the outset, this festival was not a profit-driven invasion; the audience was lively yet welcoming, proudly celebrating both the artists and the cultures they embodied.
Wednesday was steeped in nostalgia and performance. Robbie Williams, once viewed as the rebellious figure of manufactured pop, has grown into one of our finest homegrown entertainers. He didn't merely perform his songs; he engaged the audience, transforming thousands into a united ensemble. The Kaiser Chiefs fully embraced their status as hit makers, with each song offering another chance to get people bouncing. Perrie’s set felt like a return home, marking her initial steps toward establishing herself as a northern pop icon beyond her Little Mix days.
Friday escalated the energy even further. Courteeners rallied their devoted followers, with every chorus echoing Mancunian pride. The Cribs, with their sharp guitars and energetic vibe, reminded everyone why they’re among Britain’s top bands. Kings of Leon once more demonstrated that their stadium anthems are crafted for open-air venues, with phone lights swaying above.
Yet the more intimate moments were equally impactful. Liam Fender from Newcastle delivered a set with a hymnal essence, quieting even the noisiest crowds. Emerging talents Courtney Dixon and Du Blonde signaled a new generation of voices ready to emerge from the North East. Andrew Cushin surprised many with Noel Gallagher alongside him, embodying the festival’s spirit: a local lad chasing his dreams, standing proudly in his hometown.
The success of festivals hinges on achieving a balance. When the lineup leans too much on big-name headliners, supporting acts can come off as mere filler; conversely, an excessive focus on new discoveries can cause casual fans to lose interest. Come Together 2025 found that equilibrium flawlessly, blending international stars with local icons. What resonated most was the atmosphere. Unlike larger UK festivals, there was a palpable sense of connection. The crowd radiated energy, prideful not only of the headliners but also thrilled to see their regional heroes acknowledged.
As the festival drew to a close and the encore faded into the night, Come Together fulfilled its promise. What remained long after the final chords was a sense of community. The north is not neat and tidy, and neither was the Come Together Festival. It was raw, chaotic, yet brimming with heart—a snapshot of a region that continues to create without restraint.
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Words: Kaitlin Robson
Photo Credit: James Clifford Kent
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Come Together isn't just a festival — it represents the essence of northern identity when expressed on stage. Northern festivals have a distinct