Mitch Rowland lives a life of contrasts. His main musical role is within Harry Styles' sphere, where he co-writes and tours alongside the pop icon who has defined a generation. In contrast, he treasures his time in solitude. Back in London to discuss his beautifully understated new album ‘Whistling Pie’, this soft-spoken songwriter yearns for a more tranquil existence.
Seated in a hotel in Kings Cross, Mitch shares his fond memories of living in Stoke Newington, which he affectionately calls “my cozy corner of the city,” before he and his young family moved to the tranquil countryside of Herefordshire.
“For me, having space is essential,” he says. “There’s a contrast between the chaos of the city, where each day can bring surprises, and the peacefulness of a quieter life.”
Originally from Ohio, this modest and reserved talent exudes a sense of patience. His debut solo album ‘Come June’ made waves upon its 2023 release, and he has drawn on the album's sepia-toned acoustic sounds for his follow-up. ‘Whistling Pie’ is a heartfelt reflection rooted in family life, crafted alongside a close circle of friends.
“The first album was recorded in LA,” he recalls. “This time, I wondered how I would go about it. I wanted to collaborate with the same people, but with our second child just born, I was fortunate that Rockfield Studios is only 25 minutes from my home!”
Rob Schnapf returns to produce, traveling from LA to work at the famed Rockfield studio. “I was apprehensive about bringing city folk out there,” Mitch admits. “It’s not the usual way they make records, but they enjoyed it. Surprisingly, they stuck to LA time – I had to adapt to their schedule! As it was November, it got dark early, so we’d make the most of daytime, working until about five or six in the morning.”
While both of his solo albums are interconnected, Mitch Rowland is keen to avoid redundancy. “It’s enjoyable to never repeat yourself,” he notes. “I would never want to go through the same experience again.”
Rob Schnapf knows how to help Mitch express himself and view his work from a fresh perspective. “He takes a hands-off approach, which is very beneficial,” Mitch explains. “When you focus solely on what’s in front of you, you are not searching for a sound; it's already there to explore and create something intriguing from the given elements.”
Using a bench outside the studio as their personal beer fridge, the two embarked on laid-back yet concentrated sessions. Mitch aimed for a sound reminiscent of Jonathan Wilson, admiring his modern interpretation of the classic Laurel Canyon vibes.
“Jonathan has a gentle spirit,” Mitch describes. “That first album was an ‘aha!’ moment for me, demonstrating that you could sing in a subtle yet impactful manner. It opened the door to my own songwriting and granted me permission to pursue that style.”
Since the release of his debut, Mitch Rowland’s family has expanded. Married to the accomplished session drummer Sarah Jones, they now have two small children, which has influenced every aspect of his life as a songwriter.
“You have unlimited time to create your first album,” he smiles, “but with the second, I had to juggle a newborn and a three-year-old. That certainly accelerates the process! I had to work swiftly, and I enjoyed not spending too much time in indecision.”
Rob Schnapf played a crucial role in this studio efficiency. “Trust is key,” Mitch emphasizes. “He has extensive experience making records, which enables him to listen with a fresh perspective.”
The results are stunning. ‘Whistling Pie’ possesses a subtle strength that gently envelops the listener. The lyrics emphasize the trials and joys of parenthood, reflecting a natural response to his surroundings.
“Becoming a father has impacted me more than anything else ever has. It will inevitably influence my songwriting – it just occurs naturally. I play guitar frequently. I don’t force myself to write a song every day – some people do, but I write when the inspiration strikes. Consequently, many of these songs are snapshots of family moments.”
“For me, listening to this record is like experiencing a day in my life,” he adds. “The first track represents waking up and takes you through to night, capturing a moment in time!”
Sonically, the record's pastoral essence is enhanced by its simplicity. Each part is allowed to shine, with a few rare experiments – such as the borrowed six-string banjo featured in ‘Really Ready’ and ‘Honeybabe’. Mitch fondly remembers that both tracks were recorded on the same day – “I think I got my money's worth!”
Now released, the album reinforces Mitch Rowland's unique artistic vision. "I felt a bit anxious,” he confesses. “I pressured myself to improve my songwriting speed, which shaped the songs
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Mitch Rowland lives a life of contrasts. In terms of his musical career, he plays a key role in Harry Styles' world, collaborating on writing and touring with the singer.