Tame Impala Unveils a Haunting Anthem with “Dracula” Before the Release of ‘Deadbeat’ - Atwood Magazine

      Kevin Parker of Tame Impala showcases an enchanting groove on “Dracula,” delving into the darkness that accompanies glamour while skillfully addressing the complexities of daily life with a cinematic touch.

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      Stream: “Dracula” – Tame Impala

      As autumn leaves start to descend and shift in color at twilight, the vibrant blues blend into the night sky.

      In this context, Kevin Parker has unveiled “Dracula,” creating an eerie ambiance that encourages listeners to “run from the sun” while embracing the shadows that exist beyond its light. Dancing in the dark, Parker is inspired by Western Australia’s rave scene and the nearby bush doof culture, immersing himself in a landscape that unveils his inner self and resonates deeply with listeners. With tracks like “End of Summer” and “Loser,” he has begun to outline the essence of his fifth studio album, Deadbeat, set for release on October 17th via Columbia Records. With every new track, Parker reveals yet another aspect of his cathartic examination of the complexities of situations and the everyday cadence of life.

      Dracula – Tame Impala

      “Dracula” highlights Parker’s most passionate vocal delivery of his recent works. The song evokes the essence of famous Victorian-era vampires while creating imagery that feels as if it’s lifted directly from Bram Stoker’s narrative. It crafts a picturesque, cinematic moment at dawn, placing Parker’s character at the intersection of night and light – a fleeting moment caught in transition.

      Oh-oh-oh-oh, oh-oh-oh-oh

      Oh-oh-oh-oh, oh-oh-oh-oh

      (Dilemma)

      The morning light is turning blue,

      the feeling is bizarre (Bizarre)

      The night is nearly over,

      I still can’t find where you are.

      The shadows, they keep me looking

      like a movie star (Ha-ha-ha-ha)

      Daylight makes me feel like Dracula (Dracula)

      Deadbeat – Tame Impala

      Musically, “Dracula” unfolds through Parker’s distinctive falsetto, layered over sustained keys and foreboding whispers that welcome the listener like dawn’s first light.

      An array of genre-blending textures and sporadic chimes sparks intrigue, drawing the listener deeper into the track's dreamy rhythm. There’s a palpable sense of time changing – of dawn fading into day – as the melody leads listeners through reflections on responsibilities and perceived duties, rather than committing to where the heart yearns to dwell, illuminated by the pale light of uncertainty seeping through the gaps of connection.

      In the end, I hope it’s you and me

      In the shadows, I would never leave you (Ah)

      You won’t catch me in the daylight

      It’s far too late, the hour has come

      I’m on the brink of giving in, I retreat through the dark

      Now I’m Mr. Charisma, Pablo Escobar (Escobar)

      My friends say, “Stop talking, Kevin, just get in the car” (Kevin)

      I just want to be right where you are (Oh, my love).

      Tame Impala © Irie Calkins

      “Dracula” invites listeners to contemplate the intricate relationships between obligations and companionship.

      As the song gradually fades, listeners are left with an enduring sense of reflection — a personal introspection that resonates individually. “Dracula” feels both haunting and invigorating, embracing the enigma of uncertainty and the subtle weight of responsibilities while navigating the choices and turning points of everyday existence.

      Parker’s sonic landscape feels animated with movement and shadow, pulsing with the interplay between light and darkness. Fans should act swiftly to secure their tickets, as Tame Impala continues to enchant tastemakers and audiences alike — with recently added shows in Los Angeles and Oakland already selling quickly. Parker has also announced his upcoming UK/EU tour in anticipation of Deadbeat, which will be available on streaming platforms globally starting October 17th!

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      Stream: “Dracula” – Tame Impala

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       © Irie Calkins

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