Music news
Sekou Unveils New Mixtape ‘In A World We Don’t Belong Pt. 1’

Sekou Unveils New Mixtape ‘In A World We Don’t Belong Pt. 1’

      It will be released on November 14th...

      UK singer Sekou has announced the upcoming mixtape ‘In A World We Don’t Belong Pt. 1’.

      This songwriter recently made an impression in the BBC Sound Of 2024 poll and has experienced several viral moments. Having collaborated with pop superstar Justin Bieber, Sekou has connected with influential figures and is now set to unveil new material.

      The forthcoming mixtape ‘In A World We Don’t Belong Pt. 1’ will be available on November 14th, featuring five tracks that showcase Sekou's embrace of personal and aesthetic liberty.

      The project delivers introspective soul-pop that openly expresses its emotions, and it follows the release of the August single ‘Catching Bodies’.

      Sekou reflects...

      “Part 1 of this mixtape encapsulates freedom and effortless soul, aiming to capture the essence of something everlasting. While creating this music, my goal was to be genuinely myself – I've always felt like an outsider growing up and wanted to create music that resonates with others' experiences. The title reflects that sentiment for me, as each track tells a unique story.”

      Join us on WeAre8 as we dive into global cultural events. Follow Clash Magazine HERE for updates as we explore clubs, concerts, interviews, and photo shoots. Get exclusive behind-the-scenes glimpses into our world as we enjoy the experience.

      Subscribe to the Clash mailing list for the latest updates on music, fashion, and film news.

Sekou Unveils New Mixtape ‘In A World We Don’t Belong Pt. 1’

Other articles

Debbie Harry of Blondie desires Florence Pugh to portray her in an upcoming biopic.

Debbie Harry of Blondie desires Florence Pugh to portray her in an upcoming biopic.

Debbie Harry of Blondie expressed her desire for Florence Pugh to portray her in a biographical film. The idea of a movie chronicling the singer's life has been discussed for more than ten years.

Deck the Halls! Girls Aloud Officially Releases 'Christmas Round At Ours'

Deck the Halls! Girls Aloud Officially Releases 'Christmas Round At Ours'

Girls Aloud have officially released their beloved holiday project 'Christmas 'Round At Ours'. Selection boxes are now showing up in supermarkets.

Bibi Club Reveals Upcoming Album 'Amaro'

Bibi Club Reveals Upcoming Album 'Amaro'

The Canadian project Bibi Club is set to release their new album 'Amaro' next year. The band appears to be feeling inspired, having taken the stage last month at the Polaris.

In Wales, the passage of the seasons is often signified by its music festivals. This past summer featured events like Green Man, the National Eisteddfod, and Tafwyl, among others. As autumn arrives, it's time for Sŵn. This weekend in October, that’s the topic of conversation, with Cardiff's music venues buzzing with talent.

Starting at Womanby Street, a key location for the festival since 2007, we find AKA performing their first gig as a band on the downstairs stage of Clwb Ifor Bach, creating a notably special atmosphere. With synths, samples, a megaphone, and the impressive voice of former Mysterines guitarist Callum Thompson, they evoke the spirit of Gorillaz's debut album mixed with the edge of Fat White Family. They lack social media presence and music releases, making their strong debut embody the essence of Sŵn—it's a weekend dedicated to uncovering music that you probably haven't encountered before.

Situated beneath Cardiff market on St Mary’s Street, Boho Club is one of the festival's new venues. Typically an R&B cocktail bar, it’s currently hosting the Welsh-language experimental group Tai Haf Heb Drigolyn. The space is packed with people trying to see the performance, and at one moment, about six musicians are crammed into what looks like a cave. Regardless, the performance leaves us amazed. Meanwhile, at Tiny Rebel, London artist Manga Saint Hilare blends a grime set with humorous commentary: “You all enjoy Welsh cakes; they’re amazing, right? I had one from the market. I usually get mine from M&S, but they just aren't as good.”

This weekend, Cardiff's indoor market has been transformed for the wider Cardiff Music City Festival. The Grade II listed Victorian venue features a lineup of DJs and new bilingual broadcasters Radio Sudd amidst the usual food vendors. Neon Black, the lighting designers who have previously worked on the Sphere in Las Vegas, have illuminated the space for late-night enjoyment. This is the inaugural night market for Sŵn, which has enhanced the festival’s connection to Cardiff and proved to be a valuable addition.

Next, Fuel hosts Tooth, confirming Sŵn's early acknowledgment of grunge's revival. This London band's take on Midwestern emo shines through in their song ‘The Age of Innocence,’ reminiscent of the Smashing Pumpkins. Their young age reflects their embrace of guitar music—missing the Britpop nostalgia of the 2010s, they connect more with America's ‘80s Sonic Youth and Dinosaur Jr.

Similar to Brighton's Great Escape and Rotterdam's Left of the Dial, inner-city festivals like Sŵn serve as excellent indicators of the current music scene. KEO’s Friday set at Clwb contributes to the grunge revival conversation, with frontman Finn Keogh's vocals standing out. They share similarities with Wunderhorse, and having a guitar tech for a 250-capacity gig is a nice touch.

Later, guitars and grunge give way to four synths and acid-house techno, featuring Adult DVD. Their debut performance in Cardiff is outstanding, with ‘Dogs In The Sun’ stirring the audience into a frenzy under strobe lights. Much of post-punk is shifting toward an electronic sound—this subgenre is notably trending throughout Sŵn. At Tiny Rebel, A Thousand Mad Things delivers a dark wave performance, enriched by William Barradale’s vocals—think of Nothing But Thieves’ Conor Mason meeting Boy Harsher, creating an intriguing and enjoyable mix.

St John’s Church stands out as the most stunning new venue for Sŵn this year, with Gruff Rhys kicking off two days of performances there. It wouldn't be a Welsh festival without the Super Furries frontman. A priest greets attendees at the entrance, setting the performance's tone, which almost didn’t happen. Rhys humorously shares, “I went to Beauty Nails Canton for an emergency thumbnail. You can see it’s glossier than the others.” He goes on to perform a series of softer solo tracks over the same drum-machine rhythm at varying tempos, and his candidness entertains the audience.

At Clwb, folk-guitar band Mên-an-Tol opens with a Celtic-influenced number that aligns with their band name—embracing the mandolin as a significant part of the first song. However, their subsequent Oasis-like sound feels less authentic. Expectations were also high for green star at The Canopi (AKA Sustainable Studios), a smaller addition to Sŵn with a 100-capacity. While there are promising elements in their performance, it’s challenging to tell if the vocals are too quiet or if they lack interest. The energy picks back up with Jessica Winter upstairs at Clwb, showcasing the current strength of synth-driven music. Her hyper-pop track ‘Big Star’ resonates with a beat reminiscent of Robbie Williams’ ‘Rock DJ.’

On Saturday at St John’s Church, Slate

In Wales, the passage of the seasons is often signified by its music festivals. This past summer featured events like Green Man, the National Eisteddfod, and Tafwyl, among others. As autumn arrives, it's time for Sŵn. This weekend in October, that’s the topic of conversation, with Cardiff's music venues buzzing with talent. Starting at Womanby Street, a key location for the festival since 2007, we find AKA performing their first gig as a band on the downstairs stage of Clwb Ifor Bach, creating a notably special atmosphere. With synths, samples, a megaphone, and the impressive voice of former Mysterines guitarist Callum Thompson, they evoke the spirit of Gorillaz's debut album mixed with the edge of Fat White Family. They lack social media presence and music releases, making their strong debut embody the essence of Sŵn—it's a weekend dedicated to uncovering music that you probably haven't encountered before. Situated beneath Cardiff market on St Mary’s Street, Boho Club is one of the festival's new venues. Typically an R&B cocktail bar, it’s currently hosting the Welsh-language experimental group Tai Haf Heb Drigolyn. The space is packed with people trying to see the performance, and at one moment, about six musicians are crammed into what looks like a cave. Regardless, the performance leaves us amazed. Meanwhile, at Tiny Rebel, London artist Manga Saint Hilare blends a grime set with humorous commentary: “You all enjoy Welsh cakes; they’re amazing, right? I had one from the market. I usually get mine from M&S, but they just aren't as good.” This weekend, Cardiff's indoor market has been transformed for the wider Cardiff Music City Festival. The Grade II listed Victorian venue features a lineup of DJs and new bilingual broadcasters Radio Sudd amidst the usual food vendors. Neon Black, the lighting designers who have previously worked on the Sphere in Las Vegas, have illuminated the space for late-night enjoyment. This is the inaugural night market for Sŵn, which has enhanced the festival’s connection to Cardiff and proved to be a valuable addition. Next, Fuel hosts Tooth, confirming Sŵn's early acknowledgment of grunge's revival. This London band's take on Midwestern emo shines through in their song ‘The Age of Innocence,’ reminiscent of the Smashing Pumpkins. Their young age reflects their embrace of guitar music—missing the Britpop nostalgia of the 2010s, they connect more with America's ‘80s Sonic Youth and Dinosaur Jr. Similar to Brighton's Great Escape and Rotterdam's Left of the Dial, inner-city festivals like Sŵn serve as excellent indicators of the current music scene. KEO’s Friday set at Clwb contributes to the grunge revival conversation, with frontman Finn Keogh's vocals standing out. They share similarities with Wunderhorse, and having a guitar tech for a 250-capacity gig is a nice touch. Later, guitars and grunge give way to four synths and acid-house techno, featuring Adult DVD. Their debut performance in Cardiff is outstanding, with ‘Dogs In The Sun’ stirring the audience into a frenzy under strobe lights. Much of post-punk is shifting toward an electronic sound—this subgenre is notably trending throughout Sŵn. At Tiny Rebel, A Thousand Mad Things delivers a dark wave performance, enriched by William Barradale’s vocals—think of Nothing But Thieves’ Conor Mason meeting Boy Harsher, creating an intriguing and enjoyable mix. St John’s Church stands out as the most stunning new venue for Sŵn this year, with Gruff Rhys kicking off two days of performances there. It wouldn't be a Welsh festival without the Super Furries frontman. A priest greets attendees at the entrance, setting the performance's tone, which almost didn’t happen. Rhys humorously shares, “I went to Beauty Nails Canton for an emergency thumbnail. You can see it’s glossier than the others.” He goes on to perform a series of softer solo tracks over the same drum-machine rhythm at varying tempos, and his candidness entertains the audience. At Clwb, folk-guitar band Mên-an-Tol opens with a Celtic-influenced number that aligns with their band name—embracing the mandolin as a significant part of the first song. However, their subsequent Oasis-like sound feels less authentic. Expectations were also high for green star at The Canopi (AKA Sustainable Studios), a smaller addition to Sŵn with a 100-capacity. While there are promising elements in their performance, it’s challenging to tell if the vocals are too quiet or if they lack interest. The energy picks back up with Jessica Winter upstairs at Clwb, showcasing the current strength of synth-driven music. Her hyper-pop track ‘Big Star’ resonates with a beat reminiscent of Robbie Williams’ ‘Rock DJ.’ On Saturday at St John’s Church, Slate

Shoegaze icons My Bloody Valentine have announced the complete lineup of supporting acts for their forthcoming headline performances. The band is set to hit the road again later this year.

Newly Discovered Technicolour: An Interview with Just Mustard

Newly Discovered Technicolour: An Interview with Just Mustard

"I only want it to feel good," Katie Ball's voice resonates on the title track of Just Mustard's latest album. It's a declaration of purpose you may not

Spotify’s Fan Life Campaign is back with short films featuring actual fans and highlighting new global fandoms.

Spotify’s Fan Life Campaign is back with short films featuring actual fans and highlighting new global fandoms.

Spotify's Fan Life advertising campaign has returned! Fan Life embodies the energy, sound, and connection of fans and the communities they build together. The

Sekou Unveils New Mixtape ‘In A World We Don’t Belong Pt. 1’

UK singer Sekou has announced his upcoming mixtape titled 'In A World We Don't Belong Pt. 1'. The songwriter has secured a spot in the BBC Sound Of 2024 poll, and