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Going For It: An Interview with Freak Slug

Going For It: An Interview with Freak Slug

      A proud Northerner and free spirit with ambitious goals, Xenya Genovese, the Manchester multi-instrumentalist, artist, producer, and singer known as Freak Slug, is currently concluding her Australia & NZ Big Candle Tour. Genovese shares her thoughts from a café in Wellington, following her SXSW Sydney experience.

      Welcomed with a friendly "Mate," I feel at ease as Genovese's vibrant energy comes through the screen, leading us into an open discussion about capturing the chaos of life.

      Her debut album, "I Blow Out Big Candles," propelled by the viral hit "Radio," pays tribute to alternative indie rock, brimming with a call-out attitude and youthful spirit that resonates in her music. The album reflects a pivotal moment in her life, revealing her struggles and experiences candidly. Composed during life’s ebb and flow, in various settings from gigs to clubs and even behind toilet doors, Genovese’s work encapsulates the essence of youth and emotional highs and lows, enhanced by its DIY style and modern take on 90s sounds.

      A year after her debut, her upcoming EP, "A Loose Tooth and a Short Skirt," represents Genovese's exploration of a transitional phase between two realms. Embracing her Mancunian accent, she infuses genre-blending artistry with a touch of sarcastic humor.

      Ahead of its November 7th release, I spoke with Genovese, aka Freak Slug, about cutting through superficiality, expressing anger through music, and embracing one’s body.

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      You are undoubtedly a creative force; a versatile artist, multi-instrumentalist, and painter who studied fine arts at university. How do you find your creative inspiration?

      I find inspiration through music and my emotions. Music is my primary means of expressing what I feel; I tend not to share my feelings with others. I enjoy helping others express their emotions instead.

      It’s about processing my experiences and feelings. I channel a lot of my anger into my music, which fuels much of my artistic expression—the element of fire.

      Why do you choose music as your primary outlet for creativity?

      It’s more immediate. Given my emotional needs, music directly helps me process what I’m feeling. Music is therapeutic. For my own life's journey, I select chords that resonate with me, and nothing is quite as healing as music. It provides a deeper satisfaction for me than painting does. Maybe someday, when I’m calmer and older, I’ll return to painting, as that might feel appropriate then. For now, I have a lot of energy and emotions because I’m still young and figuring things out.

      Absolutely. With anger, that physicality is essential.

      When I perform, I can express a lot of anger on stage; it’s my moment to unleash it. It’s the only legal space for me to fully let go. While on tour, time for exercise is limited—though I practice yoga a lot—the only outlet to purge my anger is through performing. The stage is the only place I can go all out physically.

      Music has nurtured your psyche and soul before anyone witnessed it. How does music serve as a means of self-liberation? Is it cathartic?

      It has always served that purpose; now I’m simply sharing it with more people. I’ve always used music to work through my experiences. Initially, it was often driven by sadness, but my approach has remained consistent over the past 10, 12, or even 15 years.

      Transitioning from being an artist to a touring musician, what insights have you gained about the creative process?

      I strive to create music that I would enjoy listening to. At the beginning of Freak Slug, I didn't anticipate the pathway it would take, which threw me off a bit. Now, I’m more grounded. Initially, I wasn’t fully present; I hadn’t connected with myself wholly at that time in life. As you mature, your awareness grows, and you become more in tune with your soul. I was just a free spirit, and I still am, but now it’s a free spirit with intention. Back then, I was somewhat reckless and carefree. It felt less deliberate. Now, I understand what I want from my art; I know what I aim to achieve and am determined to make it happen.

      You maintain that spontaneous, instinctive nature in your lyrics, yet the final product is more polished. You’ve also indicated that you waited to release an album until you had a substantial audience, so you were aware of what resonated.

      Exactly. I wanted to ensure I seized the right opportunity. I recognized the timing was perfect for me to unveil an album. I’m glad I did it when I did; it created momentum, and I’ve already penned the next album, which I hope to release in the spring.

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      It’s been almost a year since "I Blow Out Big Candles" debuted. How

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Chanyeol gained fame as a member of EXO, one of the most renowned and impactful K-pop groups in history. More recently, he has made a name for himself as an actor in K-dramas and as a solo artist with mini-albums like ‘Upside Down’ and ‘Black Out.’

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His popularity and lasting influence in the K-pop scene across East Asia was clear as 5,000 fans filled the picturesque National Convention Hall in Yokohama, reminiscent of London's Southbank Centre.

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As the main lights dimmed, ‘Moonlight’ by EXO-K played, illuminating the audience with their glow sticks. It’s fair to say that around 80% of the crowd had glow sticks, creating a mesmerizing scene as they swayed in unison.

Chanyeol opened the show with ‘Back & Forth’ and ‘Black Out.’ The latter performance was particularly thrilling as he began with an acoustic guitar, then switched to an electric guitar when the stage lights went dark, showcasing his guitar skills.

The energy in the hall was immediately electrifying, and it was evident that Chanyeol thrived off this atmosphere, fully engaging with the audience on stage.

A quick note on the overall concert experience in Japan: it was refreshing to see the crowd fully present, mostly without their phones. The lack of devices contributed to a more genuine and immersive concert experience, which seems to be diminishing in Europe and the US.

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Chanyeol’s songs took on a new vibrancy during the live performance, especially with the heavy rock influences featured prominently in ‘Upside Down.’

He left the stage during the instrumental outro of ‘Nothin’ by EXO-SC, allowing the incredibly talented band to take center stage and deliver an impressive rock solo.

The performance showcased great versatility, as he skillfully shifted the mood with songs from ‘HIBI’ like ‘Tokyo Tower’ and the R&B-influenced track, ‘Cherry.’

During an EXO medley, Chanyeol ventured into the crowd, interacting with thrilled fans on the arena's first floor before returning to the stage to perform on his electric guitar amid bursting smoke cannons. Witnessing such a high-caliber performer was a delight.

Chanyeol demonstrated his mastery as a performer, captivating the audience throughout the show. This is no surprise, given his decade-long experience performing in large arenas and stadiums with EXO. What stood out was his ability to connect with the audience in Japanese, singing, chatting, and sharing anecdotes throughout the performance without a translator.

Chanyeol's solo career saw substantial growth in 2025 with the release of two mini-albums and a Japanese tour. However, he is not done yet, as EXO has announced their long-awaited return with a fan meeting in December, followed by the release of their eighth studio album in early 2026.

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Words: Adam Davidson

To promote his solo Japanese debut album, ‘HIBI’, Chanyeol launched ‘The Days’ Japan Tour, which culminated in a headlining performance at the National Convention Hall in Pacifico Yokohama. Chanyeol gained fame as a member of EXO, one of the most renowned and impactful K-pop groups in history. More recently, he has made a name for himself as an actor in K-dramas and as a solo artist with mini-albums like ‘Upside Down’ and ‘Black Out.’ He recently unveiled ‘HIBI’, marking his solo debut in Japan. In an interview with The Japan Times, he mentioned being inspired by his passion for J-pop, aiming to infuse his own style into the genre. His popularity and lasting influence in the K-pop scene across East Asia was clear as 5,000 fans filled the picturesque National Convention Hall in Yokohama, reminiscent of London's Southbank Centre. — — As the main lights dimmed, ‘Moonlight’ by EXO-K played, illuminating the audience with their glow sticks. It’s fair to say that around 80% of the crowd had glow sticks, creating a mesmerizing scene as they swayed in unison. Chanyeol opened the show with ‘Back & Forth’ and ‘Black Out.’ The latter performance was particularly thrilling as he began with an acoustic guitar, then switched to an electric guitar when the stage lights went dark, showcasing his guitar skills. The energy in the hall was immediately electrifying, and it was evident that Chanyeol thrived off this atmosphere, fully engaging with the audience on stage. A quick note on the overall concert experience in Japan: it was refreshing to see the crowd fully present, mostly without their phones. The lack of devices contributed to a more genuine and immersive concert experience, which seems to be diminishing in Europe and the US. — — Chanyeol’s songs took on a new vibrancy during the live performance, especially with the heavy rock influences featured prominently in ‘Upside Down.’ He left the stage during the instrumental outro of ‘Nothin’ by EXO-SC, allowing the incredibly talented band to take center stage and deliver an impressive rock solo. The performance showcased great versatility, as he skillfully shifted the mood with songs from ‘HIBI’ like ‘Tokyo Tower’ and the R&B-influenced track, ‘Cherry.’ During an EXO medley, Chanyeol ventured into the crowd, interacting with thrilled fans on the arena's first floor before returning to the stage to perform on his electric guitar amid bursting smoke cannons. Witnessing such a high-caliber performer was a delight. Chanyeol demonstrated his mastery as a performer, captivating the audience throughout the show. This is no surprise, given his decade-long experience performing in large arenas and stadiums with EXO. What stood out was his ability to connect with the audience in Japanese, singing, chatting, and sharing anecdotes throughout the performance without a translator. Chanyeol's solo career saw substantial growth in 2025 with the release of two mini-albums and a Japanese tour. However, he is not done yet, as EXO has announced their long-awaited return with a fan meeting in December, followed by the release of their eighth studio album in early 2026. — — Words: Adam Davidson

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Going For It: An Interview with Freak Slug

Xenya Genovese, a proud Northerner and free spirit with grand aspirations, is the Manchester-based multi-instrumentalist, artist, producer, and singer who is more commonly recognized.