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To promote his solo Japanese debut album, ‘HIBI’, Chanyeol launched ‘The Days’ Japan Tour, which culminated in a headlining performance at the National Convention Hall in Pacifico Yokohama. Chanyeol gained fame as a member of EXO, one of the most renowned and impactful K-pop groups in history. More recently, he has made a name for himself as an actor in K-dramas and as a solo artist with mini-albums like ‘Upside Down’ and ‘Black Out.’ He recently unveiled ‘HIBI’, marking his solo debut in Japan. In an interview with The Japan Times, he mentioned being inspired by his passion for J-pop, aiming to infuse his own style into the genre. His popularity and lasting influence in the K-pop scene across East Asia was clear as 5,000 fans filled the picturesque National Convention Hall in Yokohama, reminiscent of London's Southbank Centre. — — As the main lights dimmed, ‘Moonlight’ by EXO-K played, illuminating the audience with their glow sticks. It’s fair to say that around 80% of the crowd had glow sticks, creating a mesmerizing scene as they swayed in unison. Chanyeol opened the show with ‘Back & Forth’ and ‘Black Out.’ The latter performance was particularly thrilling as he began with an acoustic guitar, then switched to an electric guitar when the stage lights went dark, showcasing his guitar skills. The energy in the hall was immediately electrifying, and it was evident that Chanyeol thrived off this atmosphere, fully engaging with the audience on stage. A quick note on the overall concert experience in Japan: it was refreshing to see the crowd fully present, mostly without their phones. The lack of devices contributed to a more genuine and immersive concert experience, which seems to be diminishing in Europe and the US. — — Chanyeol’s songs took on a new vibrancy during the live performance, especially with the heavy rock influences featured prominently in ‘Upside Down.’ He left the stage during the instrumental outro of ‘Nothin’ by EXO-SC, allowing the incredibly talented band to take center stage and deliver an impressive rock solo. The performance showcased great versatility, as he skillfully shifted the mood with songs from ‘HIBI’ like ‘Tokyo Tower’ and the R&B-influenced track, ‘Cherry.’ During an EXO medley, Chanyeol ventured into the crowd, interacting with thrilled fans on the arena's first floor before returning to the stage to perform on his electric guitar amid bursting smoke cannons. Witnessing such a high-caliber performer was a delight. Chanyeol demonstrated his mastery as a performer, captivating the audience throughout the show. This is no surprise, given his decade-long experience performing in large arenas and stadiums with EXO. What stood out was his ability to connect with the audience in Japanese, singing, chatting, and sharing anecdotes throughout the performance without a translator. Chanyeol's solo career saw substantial growth in 2025 with the release of two mini-albums and a Japanese tour. However, he is not done yet, as EXO has announced their long-awaited return with a fan meeting in December, followed by the release of their eighth studio album in early 2026. — — Words: Adam Davidson

To promote his solo Japanese debut album, ‘HIBI’, Chanyeol launched ‘The Days’ Japan Tour, which culminated in a headlining performance at the National Convention Hall in Pacifico Yokohama. Chanyeol gained fame as a member of EXO, one of the most renowned and impactful K-pop groups in history. More recently, he has made a name for himself as an actor in K-dramas and as a solo artist with mini-albums like ‘Upside Down’ and ‘Black Out.’ He recently unveiled ‘HIBI’, marking his solo debut in Japan. In an interview with The Japan Times, he mentioned being inspired by his passion for J-pop, aiming to infuse his own style into the genre. His popularity and lasting influence in the K-pop scene across East Asia was clear as 5,000 fans filled the picturesque National Convention Hall in Yokohama, reminiscent of London's Southbank Centre. — — As the main lights dimmed, ‘Moonlight’ by EXO-K played, illuminating the audience with their glow sticks. It’s fair to say that around 80% of the crowd had glow sticks, creating a mesmerizing scene as they swayed in unison. Chanyeol opened the show with ‘Back & Forth’ and ‘Black Out.’ The latter performance was particularly thrilling as he began with an acoustic guitar, then switched to an electric guitar when the stage lights went dark, showcasing his guitar skills. The energy in the hall was immediately electrifying, and it was evident that Chanyeol thrived off this atmosphere, fully engaging with the audience on stage. A quick note on the overall concert experience in Japan: it was refreshing to see the crowd fully present, mostly without their phones. The lack of devices contributed to a more genuine and immersive concert experience, which seems to be diminishing in Europe and the US. — — Chanyeol’s songs took on a new vibrancy during the live performance, especially with the heavy rock influences featured prominently in ‘Upside Down.’ He left the stage during the instrumental outro of ‘Nothin’ by EXO-SC, allowing the incredibly talented band to take center stage and deliver an impressive rock solo. The performance showcased great versatility, as he skillfully shifted the mood with songs from ‘HIBI’ like ‘Tokyo Tower’ and the R&B-influenced track, ‘Cherry.’ During an EXO medley, Chanyeol ventured into the crowd, interacting with thrilled fans on the arena's first floor before returning to the stage to perform on his electric guitar amid bursting smoke cannons. Witnessing such a high-caliber performer was a delight. Chanyeol demonstrated his mastery as a performer, captivating the audience throughout the show. This is no surprise, given his decade-long experience performing in large arenas and stadiums with EXO. What stood out was his ability to connect with the audience in Japanese, singing, chatting, and sharing anecdotes throughout the performance without a translator. Chanyeol's solo career saw substantial growth in 2025 with the release of two mini-albums and a Japanese tour. However, he is not done yet, as EXO has announced their long-awaited return with a fan meeting in December, followed by the release of their eighth studio album in early 2026. — — Words: Adam Davidson

      A new release from the acclaimed Scottish band...

      28 · 10 · 2025

      Scottish band The Twilight Sad has released a new song titled ‘Waiting for The Phone Call’.

      The band’s last album, ‘It Won/t Be Like This All The Time,’ was released in 2019 and was met with widespread acclaim for its intense emotional depth. Recently, The Twilight Sad announced their participation as support for several major headline shows with The Cure in 2026.

      Now, they have unveiled new material. The track ‘Waiting For The Phone Call’ is available now, offering an emotionally rich and profound listening experience.

      The Twilight Sad creates an expansive wall of sound, greatly enhanced by the contributions of Robert Smith from The Cure on guitar.

      Regarding the song, singer and lyricist James Graham comments:

      ‘Waiting For The Phone Call’ addresses themes of grief, love, and mental illness. These experiences overwhelmed me and led to my illness. I lost the person who mattered most to me in an incredibly cruel manner. I have always turned to writing as a way to process and cope with my feelings. My emotions became unmanageable, but writing music with Andy—particularly over the past seven years—has been both a means of escape and a way to process and understand life.

      We’ve all awaited a phone call that has the potential to alter our lives at some stage. Regrettably, this song centers around a call that you hope to never receive.

      A beautiful piece of music, you can listen to it below.

      Catch The Twilight Sad on tour in 2026:

      April 29 Bristol Electric

      April 30 London Roundhouse

      May 2 Manchester New Century Hall

      May 3 Newcastle upon Tyne Boiler Shop

      May 5 Glasgow Barrowlands

      May 9 Dublin Button Factory

      —

      Photo Credit: Kidston/Raymonde/DLT

      —

      Join us on WeAre8 as we delve into global cultural events. Follow Clash Magazine HERE for a glimpse into clubs, concerts, interviews, and photo shoots. Get exclusive backstage access and insight into our world as the excitement unfolds.

      Sign up for the Clash mailing list for the latest updates in music, fashion, and film news.

To promote his solo Japanese debut album, ‘HIBI’, Chanyeol launched ‘The Days’ Japan Tour, which culminated in a headlining performance at the National Convention Hall in Pacifico Yokohama. Chanyeol gained fame as a member of EXO, one of the most renowned and impactful K-pop groups in history. More recently, he has made a name for himself as an actor in K-dramas and as a solo artist with mini-albums like ‘Upside Down’ and ‘Black Out.’ He recently unveiled ‘HIBI’, marking his solo debut in Japan. In an interview with The Japan Times, he mentioned being inspired by his passion for J-pop, aiming to infuse his own style into the genre. His popularity and lasting influence in the K-pop scene across East Asia was clear as 5,000 fans filled the picturesque National Convention Hall in Yokohama, reminiscent of London's Southbank Centre. — — As the main lights dimmed, ‘Moonlight’ by EXO-K played, illuminating the audience with their glow sticks. It’s fair to say that around 80% of the crowd had glow sticks, creating a mesmerizing scene as they swayed in unison. Chanyeol opened the show with ‘Back & Forth’ and ‘Black Out.’ The latter performance was particularly thrilling as he began with an acoustic guitar, then switched to an electric guitar when the stage lights went dark, showcasing his guitar skills. The energy in the hall was immediately electrifying, and it was evident that Chanyeol thrived off this atmosphere, fully engaging with the audience on stage. A quick note on the overall concert experience in Japan: it was refreshing to see the crowd fully present, mostly without their phones. The lack of devices contributed to a more genuine and immersive concert experience, which seems to be diminishing in Europe and the US. — — Chanyeol’s songs took on a new vibrancy during the live performance, especially with the heavy rock influences featured prominently in ‘Upside Down.’ He left the stage during the instrumental outro of ‘Nothin’ by EXO-SC, allowing the incredibly talented band to take center stage and deliver an impressive rock solo. The performance showcased great versatility, as he skillfully shifted the mood with songs from ‘HIBI’ like ‘Tokyo Tower’ and the R&B-influenced track, ‘Cherry.’ During an EXO medley, Chanyeol ventured into the crowd, interacting with thrilled fans on the arena's first floor before returning to the stage to perform on his electric guitar amid bursting smoke cannons. Witnessing such a high-caliber performer was a delight. Chanyeol demonstrated his mastery as a performer, captivating the audience throughout the show. This is no surprise, given his decade-long experience performing in large arenas and stadiums with EXO. What stood out was his ability to connect with the audience in Japanese, singing, chatting, and sharing anecdotes throughout the performance without a translator. Chanyeol's solo career saw substantial growth in 2025 with the release of two mini-albums and a Japanese tour. However, he is not done yet, as EXO has announced their long-awaited return with a fan meeting in December, followed by the release of their eighth studio album in early 2026. — — Words: Adam Davidson

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To promote his solo Japanese debut album, ‘HIBI’, Chanyeol launched ‘The Days’ Japan Tour, which culminated in a headlining performance at the National Convention Hall in Pacifico Yokohama. Chanyeol gained fame as a member of EXO, one of the most renowned and impactful K-pop groups in history. More recently, he has made a name for himself as an actor in K-dramas and as a solo artist with mini-albums like ‘Upside Down’ and ‘Black Out.’ He recently unveiled ‘HIBI’, marking his solo debut in Japan. In an interview with The Japan Times, he mentioned being inspired by his passion for J-pop, aiming to infuse his own style into the genre. His popularity and lasting influence in the K-pop scene across East Asia was clear as 5,000 fans filled the picturesque National Convention Hall in Yokohama, reminiscent of London's Southbank Centre. — — As the main lights dimmed, ‘Moonlight’ by EXO-K played, illuminating the audience with their glow sticks. It’s fair to say that around 80% of the crowd had glow sticks, creating a mesmerizing scene as they swayed in unison. Chanyeol opened the show with ‘Back & Forth’ and ‘Black Out.’ The latter performance was particularly thrilling as he began with an acoustic guitar, then switched to an electric guitar when the stage lights went dark, showcasing his guitar skills. The energy in the hall was immediately electrifying, and it was evident that Chanyeol thrived off this atmosphere, fully engaging with the audience on stage. A quick note on the overall concert experience in Japan: it was refreshing to see the crowd fully present, mostly without their phones. The lack of devices contributed to a more genuine and immersive concert experience, which seems to be diminishing in Europe and the US. — — Chanyeol’s songs took on a new vibrancy during the live performance, especially with the heavy rock influences featured prominently in ‘Upside Down.’ He left the stage during the instrumental outro of ‘Nothin’ by EXO-SC, allowing the incredibly talented band to take center stage and deliver an impressive rock solo. The performance showcased great versatility, as he skillfully shifted the mood with songs from ‘HIBI’ like ‘Tokyo Tower’ and the R&B-influenced track, ‘Cherry.’ During an EXO medley, Chanyeol ventured into the crowd, interacting with thrilled fans on the arena's first floor before returning to the stage to perform on his electric guitar amid bursting smoke cannons. Witnessing such a high-caliber performer was a delight. Chanyeol demonstrated his mastery as a performer, captivating the audience throughout the show. This is no surprise, given his decade-long experience performing in large arenas and stadiums with EXO. What stood out was his ability to connect with the audience in Japanese, singing, chatting, and sharing anecdotes throughout the performance without a translator. Chanyeol's solo career saw substantial growth in 2025 with the release of two mini-albums and a Japanese tour. However, he is not done yet, as EXO has announced their long-awaited return with a fan meeting in December, followed by the release of their eighth studio album in early 2026. — — Words: Adam Davidson

The Scottish band The Twilight Sad has released a new track titled 'Waiting for The Phone Call'. Their last album, 'It Won’t Be Like This All The Time', was well received.

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