Is it already that time of year? Who's interested in some reissues perfect for gift lists? A number of remarkable albums have recently returned to stores, and there are many new releases to enjoy as well. Keep reading to discover your next favorite purchase.
New Releases:
‘Nothing But Love – The Definitive Best Of’ is a newly released compilation from James, summarizing their entire career into twenty-one tracks across four sides of vinyl pressed by GZ. This concentrated selection brings a wave of nostalgia, especially since two of the tracks are brand new for this release. Known for their fantastic singles, it’s no surprise that much of this compilation flows seamlessly – the medley starting with ‘Laid’, followed by ‘Tomorrow’, ‘Sometimes’, and ‘Waltzing Along’ is particularly impressive. The recent material, especially those from last year's album 'Yummy', holds its own as well. Mastered by Frank Arkwright, the sound is pleasant but not groundbreaking, providing a sound that extends slightly beyond the speakers but isn't overly expansive. The shiny inner sleeves meant the discs required a good cleaning for optimal playback, which was generally quiet afterward.
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In another instance where it feels slightly disrespectful to condense a rich history onto just four sides of vinyl, Chrysalis presents ‘The Best Of Everything But The Girl’. Compiling forty-three years into sixteen songs, this album meticulously avoids sentimentality, ensuring that every note counts over the two LPs. A nod to the inclusion of Todd Terry's remix of ‘Missing’ and the ‘Tracey In My Room (Lazy Dog Bootleg Vocal Mix)’ version of ‘Wrong’ is deserved. Highlights include the original of ‘Driving’, their poignant cover of ‘I Don’t Want To Talk About It’, and the newer track ‘Nothing Left To Lose’. Mastered and cut by Miles Showell at Abbey Road, this pressing from The Vinyl Factory exudes quality throughout, presenting a vast soundstage, tight low end, and impeccably rendered vocals by Thorn. Even if you might already own much of this, it works excellently in this format. There's also a pointless OBI for those who appreciate such features.
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‘Marathon’ is the latest album from Goodnight Louisa, marking Louise McCraw’s second release under this name. Following a series of singles named after famous personalities, these tracks are now presented alongside equally strong songs like ‘Goner’ and ‘You Don’t Know How To Make Love’. Notably, ‘Jennifer Aniston’ stands out as one of the catchiest tracks of the year, making it a great starting point for new listeners. The album’s title reflects its troubled and lengthy creation process, which has helped McCraw refine her identity as an artist. Fans of Bat For Lashes and Marina And The Diamonds will find plenty to enjoy, although there’s much more beneath the surface. This quiet, clear pressing by Seabass vinyl showcases excellent mastering, providing a punchy low end without sacrificing clarity.
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For her fifth album, Hollie Cook returns to Mr Bongo with ‘Shy Girl’, a meticulously arranged collection of beautifully mastered lovers rock infused with an analogue feel. The musicianship is skillful, and despite some variation in the lineup, the performances feel cohesive and well-synchronized. Cook's voice shines, arguably at its best, skillfully adapting to each song and bringing a distinct nostalgia to the marvelous closing track on side one, ‘In The Pictures’. Frank Merritt at The Carvery in London has ensured the vinyl preserves the required bass while allowing the higher frequencies to extend beyond the speakers. The Optimal pressing is near-silent, enabling a focus on the nuanced grooves.
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Just Played views favorably on Carwyn Ellis & Rio 18’s choice to release ‘Haf’ physically now while delaying its digital platform arrival until February. While it may not single-handedly upend the streaming phenomenon, it's a gesture that highlights the significance of physical media and the joy of seeking out a tangible version of something you cherish. And 'Haf' is something you will come to love. Ellis consistently delivers exceptional work, with Rio 18's albums providing a melodically comforting lightness during tough times. To fully grasp their potent rhythmic capacity, listen to ‘Gwenyn Y Gwanwyn’ where Rupert Brown's percussion captivates throughout the record. Mastering by Andrea de Bernadi enhances the presentation beautifully. If you need further convincing, tracks like ‘Whistling Sands’ and ‘Nos Da’ ought to seal the deal. A pin-drop silent pressing from Vinyl De Paris is beautifully packaged and worthy of purchase in my view.
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While we never need a reason to appreciate the brilliance of Nina Simone, Ace Records has assembled a 2LP set that features standout tracks from the High Priestess Of Soul's collaborations with various labels. ‘Let It All Out – Selected Singles 1961-1978’ lives up to its name, including classics like ‘
Cameron Winter has experienced an incredible 24 hours. The songwriter from NYC launched his solo album ‘Heavy Metal’ last December, and after that, he...
After nearly ten years of creating and developing their uniquely quirky musical universe, London’s Sorry explores new ideas with their latest album, ‘COSPLAY’.
Canadian electro artist Peaches will embark on a complete UK tour this Spring. The singer has returned, and she is bolder than ever with her new album centered on provocative themes.
The journey is far broader than one might think.
Is it already that time of year? Who’s interested in some reissues that fit perfectly on gift lists? There have been some fantastic releases back on the shelves lately, while the