In an age dominated by algorithms and artificial intelligence, where the digital realm favors visuals over the written word, we at CLASH acknowledge the importance of original and insightful journalism. We're grateful to have a remarkable community of talented writers who contribute to both the online and print versions of the magazine. Many individuals are instrumental in keeping CLASH at the forefront of reporting on music, fashion, and broader cultural issues: veteran journalists crafting one-off articles that resonate throughout the year, and regular contributors who provide sustained, informed commentary to keep CLASH thriving.
As 2025 comes to a close, CLASH Editor in Chief Robin Murray and Deputy Editor Shahzaib Hussain reflect on some pieces that personally impacted them, highlighting a selection of exemplary writing from the past year.
It’s no small task to sift through significant interviews, reviews, retrospectives, and opinion pieces, since every piece we publish holds value. Nevertheless, certain articles stood out as benchmarks of journalistic excellence. Here’s a curated list of our favorite music writing from this year.
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Honoring D’Angelo: 15 Best Songs
This year, we lost a true artist, a pioneer who laid the groundwork for the sensual and sacred soul music we cherish today. Following the news of D’Angelo’s passing, the CLASH team quickly compiled a list of 15 best songs that encapsulated the range and depth of the Virginia artist’s oeuvre. While there are more extensive analyses available discussing D’Angelo’s legacy, this retrospective list was our way to unite the broader CLASH community in honoring the classics and lesser-known tracks that transcend the simplistic label of “neo-soul” to reflect music that is both temporal and spiritual, grounded and transcendent. Shahzaib Hussain
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Snow Thawed: Rejjie Snow Interviewed by Damola Oladapo
At this point, I consider myself a fan of Damola Oladapo, having showcased his work in previous Highlight Reels. His profile on Rejjie Snow for CLASH 130 explored themes of masculinity, the nurturing of creativity, and the lasting impact of MF DOOM on the Irish rapper’s evolving work. Damola’s writing is intuitive, lyrical, and sophisticated; steeped in rap culture and reflecting the subject’s roots and global influence, he tells a story of transformation. I encourage any aspiring writer to take a few moments to read this. You won’t regret it. Shahzaib Hussain
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Dev Hynes’ 10 Best Co-Writes & Contributions
A towering presence in retro-futurism, Dev Hynes’ talent as a collaborator across genres is immense. As Blood Orange, he released CLASH’s Album of the Year, ‘Essex Honey’, adding another gem to a rich catalog that highlights his knack for bringing out the best in the artists he collaborates with; whether they take center stage with affirming lyrics or enhance songs through immersive background contributions. Focusing on Dev Hynes the co-writer, musician, and producer, the CLASH team explored one of music’s most captivating discographies, selecting 10 standout tracks by other artists infused with Hynes’ ethereal touch. Discover some hidden gems you may not have encountered. Shahzaib Hussain
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Sorry, No Silence: DJ Marcelle Sounds The Alarm On Genocide by Salma Mousa
This year we welcomed Salma Mousa to the CLASH team, a writer and researcher whose work has appeared in DAZED Middle East, ICON Magazine, and The New Arab, among others. Salma also hosts a monthly show on Radio Alhara, interviewing Palestinian rock bands from the '60s and '70s. In her debut article for CLASH, she interviewed Dutch producer DJ Marcelle / Another Nice Mess, delving into the prolific producer’s EP ‘Sorry, No Silence’ – a powerful sonic protest that loops Nan Goldin’s condemnation of genocide in Palestine over tribal dub. It’s an intense and thought-provoking piece, clearly conveying what happens when we fail to highlight the current crises of our time. Shahzaib Hussain
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The Way Love Goes: Wednesday’s Karly Hartzman Interviewed by Kayla Sandiford
I’ve always believed that some of the best music writing emerges from direct communication between peers – it relies on a writer’s ability to provide insight and an artist feeling comfortable and truly recognized in the conversation.
Thus, it felt organic to pair Kayla Sandiford with Karly Hartzman of Wednesday, who is known for her perceptive insights. The two grew up close to each other, and Kayla’s thoughtful questions brought forth the best from an artist whose songwriting is exceptional amongst her peers. When it came to editing, we simply encouraged a longer format, and despite being a minor epic, everything Karly Hartzman expresses is worth sharing. Robin Murray
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CLASH Film Columns by Victoria Luxford
The intertwined realms of music
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