Interview: Country Artist Kameron Marlowe Pursues Inspiration on 'Sad Songs for the Soul' - Atwood Magazine

      Kameron Marlowe creates a universe filled with melancholy melodies, characters, and narratives in his third studio album, ‘Sad Songs for the Soul.’ Infusing elements of country, blues, soul, and folk traditions, the North Carolina singer/songwriter encourages listeners to take a seat, pour a glass of whiskey, and immerse themselves in the experience.

      Released on February 21st and produced by Ben West, Sad Songs for the Soul marks the 27-year-old’s third project with Sony Music Nashville. The album reveals a maturity that shines through Marlowe’s voice, reminiscent of Chris Stapleton, Ryan Beaver, and a young John Legend. Originating from Kannapolis, North Carolina, Marlowe began his musical journey singing in church before joining a high school band. In 2018, a talent scout discovered one of his songs on YouTube, leading him to audition for The Voice. This paved the way for his move to Nashville, where he independently launched his acclaimed debut single, “Giving You Up.”

      Fast-forward six years, and Sad Songs for the Soul arrives following Marlowe's 2024 sophomore album Keepin’ the Lights On, featuring tracks such as “Burning House,” “Hello Whiskey,” and the standout “Here Lies the Fool.” This particular song stands out as one of the finest country tracks heard in a long time, offering clever lyrics and a blend of folk, country, and blues that shift as the narrative unfolds. Co-written by Marlowe, Laci Kaye Booth, and producer Ben West, “Here Lies the Fool” is a highlight in this ten-track record—a collection of introspective, self-aware, and often dark songs that surface in the late-night hours.

      “I made this bed

      This barstool was a headstone

      Here lies the fool”

      Kameron Marlowe © Ben Dartnell

      After experiencing Sad Songs for the Soul, you might assume Marlowe spends his days in solitude and his nights in dimly lit bars. However, this is far from the truth; as he states, “things couldn’t be better!” He is currently on tour, preparing for the album's release, and has recently become engaged. Plus, he's a proud owner of a rescue dog named Scooby!

      Marlowe spoke with Atwood Magazine on a dreary February afternoon in Nashville, discussing the making of the album, the allure of sad songs, and his future aspirations.

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      :: stream/purchase Sad Songs for the Soul here ::

      :: connect with Kameron Marlowe here ::

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      “Here Lies the Fool” – Kameron Marlowe

      AN INTERVIEW WITH KAMERON MARLOWE

      Atwood Magazine: Sad Songs For the Soul represents a shift from your usual musical style. What influenced this new sound?

      Kameron Marlowe: This album was a passion project for me. I tend to get bored quickly, and if I find myself doing the same thing for too long, I feel the need to change it up to avoid stagnation. This project allowed me to awaken my creativity and explore a new sound that I’ve had in my mind.

      I started the project with a song called “Highway Song” that I penned alone. It tells the tale of someone struggling, really digging themselves into a hole, and feeling weighed down by the world. This entire project serves as a diary of that character’s experiences.

      Was that the first song you composed for the album?

      Kameron Marlowe: Yes, that was the first song I created for the project, and I would also consider “Burning House” as the second concept I had. I was uncertain if it would result in a short EP or a longer album, but I knew I wanted to include that song within whichever form it took.

      What prompted you to cover the song by Cam?

      Kameron Marlowe: I believe it’s one of the most beautifully written songs. I admire how visual her lyrics are, which is something I strive for in my own writing. When I create, I often visualize music videos, imagining the scenes that would complement the song. I feel she absolutely captures that essence.

      A few tracks, particularly “How’s the Leaving Going” and “Here Lies the Fool,” stand out for their visual clarity. You co-wrote the former with Laci Kaye Booth and your producer Ben West, who I believe is incredibly talented. I loved Laci’s album from last year.

      Kameron Marlowe: Laci's talent is remarkable; she truly is a superstar, though she seems unaware of her own potential, which is wonderful!

      Regarding the sound, you mentioned it had been in your head for a while. Are there any influences from other artists, literature, or films?

      Kameron Marlowe: The sound emerged from the space where we recorded. It was in an old feed and seed store that had