A city historically recognized for its politics and classical heritage is gradually transforming into a vibrant cultural hub. The creative underground scene in Brussels is redefining the city’s identity. From record stores stacked with vinyl to festival stages designed by architects, the underground thrives with a sense of purpose.
Clash traveled to Brussels to engage with creatives and uncover what has driven this transformation, particularly within the music scene.
Brussels exhibits a strong community spirit, with collectives collaborating to elevate each other. A significant catalyst for highlighting this talent is Kiosk Radio, a community-oriented platform broadcasting from Parc Royal. Co-founder Mikey describes the station as a convergence point “where community intersects with music,” underlining the importance of independence and collaboration. “Institutions like The Lot in New York and NTS in London inspired us by showcasing what was feasible,” he explains. “We were fortunate to secure the opportunity to establish a kiosk in the park, and that marked the beginning. We had a six-month window to demonstrate the project's viability.”
Seven years later, Kiosk Radio has evolved into a cultural landmark for the city, allowing listeners to tune in live from the park or stream it globally. On sunny days, crowds gather around the booth, volunteers drop in, and passersby join the broadcast. “Now we’re a team of 25 people,” Mikey notes. On a sunny May day, the area was bustling with people enjoying a diverse array of music from the venue. Community radio stations play a crucial role in showcasing local talent, making it apparent how impactful this radio station has been.
Kiosk Radio has since broadened its influence in the park. Nicolas Boochie, co-founder of the station and organizer of Woodblocks Festival, shared insights about the event, now in its third year, that emphasizes live music. “Many festivals gravitate towards DJ-only lineups because it's financially sound,” Boochie points out. “However, if nobody takes risks, the live scene will fade away.”
This belief drives Woodblocks, a festival committed to resurrecting live performances. “Live production is costly, often more than people realize. Yet, we are dedicated to it. It’s challenging, but it’s essential,” states Boochie. Ranging from intimate streamed concerts to large-scale stage productions, Kiosk’s team is helping bring equilibrium back to a scene that occasionally focuses too much on DJs.
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Positioned amidst lush botanical gardens, La Botanique has been a staple of Brussels' live music scene for decades. Renowned for its cozy atmosphere and diverse programming, La Botanique features everything from indie and experimental acts to influential electronic artists. “We strive for a welcoming environment where artists and audiences genuinely connect,” the venue’s manager explains.
With four stages of varying capacities, it serves as a nurturing ground for emerging talent, facilitating their journey from initial performances to larger bookings. “We receive state funding, and over 50 percent of that budget is allocated to support Belgian artists,” the manager adds.
A spirit of mutual assistance permeates the Brussels scene. DJ Blck Mamba, who performed at La Botanique’s festival during our visit, reflects on this collaborative ambiance. “We genuinely support one another; when one of us excels, the rest cheer them on. Everyone gets their moment,” she notes. “Brussels is one of my favorite places to perform. They allow you to experiment and play what you wish.”
In recent years, the Horst Arts and Music Festival has drawn dance enthusiasts from around the globe to Brussels, transforming a decommissioned military base into a vibrant hub of sound, structure, and vision. It transcends a mere weekend festival. “We’re demonstrating that nightlife and culture can play a role in urban development,” says Horst’s architectural director. “It’s not merely entertainment; it’s a catalyst for change.” The festival, which took place in early May, is expanding in size and recognition, with a significant focus on local acts.
Local artist Kuba 97 expresses a similar view. “Horst has provided many of us with international exposure. Local artists now occupy prime performance slots and are gaining recognition beyond Belgium.” He describes the festival as transformative. “Brussels has completely altered my approach to music. The community here encourages you to explore deeper sounds. Everyone is into digging and discovering records. It has significantly influenced my performances and what I seek.”
Prominent Belgian DJ Nosedrip considers the city’s evolution. While still emerging, there is substantial potential for growth. “Brussels requires more intimate venues, spaces where DJs can truly hone and convey their sets. It’s still finding its rhythm, but there is immense promise.”
The city’s record collection hub is Crevette Records. Since its opening in 2016, the store has evolved beyond a vinyl shop to become a gathering place for Brussels’ DJs, producers, and collectors, fostering an environment for exchanging ideas, sounds, and collaborations. “Crevette is vital for sharing music,” asserts Kuba
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A city recognized for its political significance and classical heritage is gradually transforming into a vibrant cultural center. The creative underground scene in Brussels is thriving.