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London Grammar: "We aim to grow, but we're not pursuing commercial objectives."

London Grammar: "We aim to grow, but we're not pursuing commercial objectives."

      “We were very self-reflective for quite some time, but now we have gained some perspective.”

      — Dot Major

      It’s been over a decade since your debut! What are your thoughts on the evolution of the polished, atmospheric pop scene, and where do you think you fit in today?

      The music landscape is quite fascinating. Many scenes have resurfaced thanks to TikTok and social media, leading to a kind of democratization of the audience—everything seems to coexist rather than being confined to distinct scenes. Our fanbase is incredible; many have supported us from the very beginning. It’s always a challenge in the studio: you want to explore new directions while still staying connected to those who appreciate your previous work.

      Do you feel pressured to reinvent yourselves?

      Not really. We’re inherently curious—both musically and emotionally—so any changes occur naturally.

      Your live shows are recognized for being immersive. Do you consider them extensions of the albums, or something entirely different?

      They offer a unique experience; we don’t simply play the tracks, but rather seek to elevate the performance. Our live sets have taken on many forms—there was a phase with excessive lighting and then a more minimalistic and melancholic approach. For LIDO this summer, we’re trying something new… it’s going to be more intimate, which should be intriguing.

      How do you plan to create that intimacy in a festival setting?

      Some of it will be a surprise, but through the staging we aim to showcase a different aspect of ourselves. At The O2 last year, there were grand laser effects and considerable distance between us, and during that performance, it felt like we lacked connection; that’s something we wish to improve on at LIDO.

      Why did you select LIDO to begin your summer shows?

      It’s been some time since we performed at a festival in London, and the location for LIDO looks stunning. We often have evening slots or Sunday performances—we’re sort of a sunset band. London shows are beautiful but can be quite stressful because friends and family attend; performance can feel somewhat like a façade. However, we’re from here and live here, so it always feels special. It’s definitely a homecoming.

      What do you hope the audience will take away from your LIDO performance?

      Ideally, a blend of emotions. Our shows tend to be quite emotional, but we don’t want it to be overwhelmingly intense; we aim for a dynamic experience with moments for celebration, as well as those that may evoke tears.

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