“Eden” is a Glowing Representation of Daniel Seavey’s Creative Liberty - Atwood Magazine

      A luminous mix of vulnerability and nostalgic pop-rock, “Eden” showcases singer/songwriter Daniel Seavey at his most genuine, heartfelt, and liberated.

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      Stream: “Eden” – Daniel Seavey

      From the initial few chords of Daniel Seavey’s newly launched single “Eden,” there’s a palpable emotional weight—a buoyant yet heavy draw into something intrinsically personal, earnest, and radiant.

      Taken from the vinyl-only version of his debut solo album Second Wind, “Eden” now officially presents itself as the album’s thirteenth track, functioning both as a fan favorite and as a strong illustration of Seavey’s growth as a solo artist and storyteller.

      Cover art for Daniel Seavey’s “Eden”

      Collaboratively written and produced with hitmaker Michael Pollack (Miley Cyrus, Justin Bieber), “Eden” is a gentle yet uplifting combination of pop-rock nostalgia and contemporary vulnerability. It encapsulates that rare, sublime sensation of falling for someone who feels otherworldly, almost unreal, and the quiet pain of not wanting to overshadow that brightness with your own darkness.

      As Seavey describes it, the song revolves around “falling for someone who feels almost too good to be true… knowing they can see something in you that you’ve yet to recognize in yourself.” It’s a touching reflection on self-worth, closeness, and the sometimes-daunting purity of love.

      The sun went cold, the sky was bleeding

      I caught the last train out of Eden

      If people never really change

      Then, what you’ve done, I can’t explain

      You gave me something to believe in

      With a touch enough to heal me

      And a kiss enough to make me stay

      Oh, it hurts enough to kill me

      ‘Cause I know I could be better

      Know I could be better

      Know I could be better for you

      “Eden” draws inspiration from the golden era of early-2000s pop-rock, a time that significantly influenced Seavey’s musical style. However, instead of merely replicating those sounds, he reinterprets them through a contemporary lens, showcasing polished production, intricate layering, and a vocal performance that feels as sincere as it is refined. It’s hardly surprising, given that Seavey played multiple instruments on the track and was heavily involved in the arrangement, production, and mixing. The result is a piece that feels entirely his own, crafted not only by his hands but by his heart.

      Daniel Seavey “Eden” © Jimmy Fontaine

      Daniel Seavey “Eden” © Jimmy Fontaine

      I wrote this song about falling for someone who feels almost too good to be true—like they’re light in human form, and you don’t want to burden them with the darkness you carry.

      * * *

      “Eden” also signifies a crucial milestone in Seavey’s evolving solo career.

      After co-founding the immensely popular group Why Don’t We in 2016, amassing over six billion streams, achieving two platinum singles, and completing multiple sold-out tours, Seavey faced personal and professional upheaval. Family health issues, the loss of a close friend, and an extended legal dispute over creative rights tested his endurance. Yet, out of that chaos emerged Dancing in the Dark, a 2023 EP that presented Seavey as a solo artist: raw, expressive, and liberated.

      This project set the stage for Second Wind, released in early 2025, which debuted at #7 on the ARIA charts. Featuring standout songs like “Sleeping With the Lights On,” “Gateway Drug,” and “Other People,” the album received acclaim from Billboard, Rolling Stone, and PAPER, with critics praising his “impeccable production skills, stellar vocals, and personal artistry.” However, “Eden,” initially shared only with fans who bought the vinyl, quickly rose to prominence as an unexpected hit.

      Devotion doesn’t come in seasons

      The notion doesn’t need a reason

      If people never really change

      Then, what you’ve done, I can’t explain

      You gave me something to believe in

      With a touch enough to heal me

      And a kiss enough to make me stay

      Oh, it hurts enough to kill me

      ‘Cause I know I could be better

      Know I could be better

      Know I could be better for you

      Seavey’s choice to keep “Eden” exclusive to vinyl at first wasn’t merely a marketing strategy; it symbolized the personal nature of the song. Yet, as he performed it live on tour repeatedly, fans who had heard it just once (or through unofficial clips online) began to sing every lyric back to him. That response convinced him: this song deserved a broader platform. Its official release now further integrates it into the narrative of Second Wind, enhancing

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