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Ego Ella May Releases Impactful New Track 'We're Not Free'

Ego Ella May Releases Impactful New Track 'We're Not Free'

      "It’s our responsibility to be concerned about the lives and welfare of others..."

      Ego Ella May makes a compelling return with her new single ‘We’re Not Free.’

      Released today, this track showcases the South London artist's reflections on her own emotions regarding the state of the world while also addressing the struggles and insecurities of those around her. ‘We’re Not Free’ is an expression of empathy and a message of togetherness, with Ego Ella May employing her distinctive neo-soul style to inspire dialogue.

      The release couldn't be more timely, as ‘We’re Not Free’ emerges in an environment rife with cultural conflicts, violence, and overt oppression. As she sings: “You’re not free ‘til everyone else is…”

      Produced by Melo-Zed, the lyrics clearly stem from a deeply personal place. "I wrote this song while trying to detach myself from the harsh realities around the world, and realizing it’s impossible,” Ego shares. “What impacts one individual, impacts us all, and we have a responsibility to care about the lives and well-being of others.”

      In this track, Ego Ella May draws inspiration from some of her idols, reflecting on how artists like Marvin Gaye and D’Angelo have intertwined social issues with their music. “It’s a privilege to have created this song,” she expresses. “I hope it encourages discussions about collective care, holding our leaders accountable, maintaining hope, and stewardship.”

      Be on the lookout for Ego Ella May’s second album coming next year.

      Listen to ‘We’re Not Free’ below.

      PHOTO CREDIT: JELANI POMELL

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Ego Ella May Releases Impactful New Track 'We're Not Free'

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Next, Fuel hosts Tooth, confirming Sŵn's early acknowledgment of grunge's revival. This London band's take on Midwestern emo shines through in their song ‘The Age of Innocence,’ reminiscent of the Smashing Pumpkins. Their young age reflects their embrace of guitar music—missing the Britpop nostalgia of the 2010s, they connect more with America's ‘80s Sonic Youth and Dinosaur Jr.

Similar to Brighton's Great Escape and Rotterdam's Left of the Dial, inner-city festivals like Sŵn serve as excellent indicators of the current music scene. KEO’s Friday set at Clwb contributes to the grunge revival conversation, with frontman Finn Keogh's vocals standing out. They share similarities with Wunderhorse, and having a guitar tech for a 250-capacity gig is a nice touch.

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