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Today's Track: BEL Captures a Dreamlike Essence with Her Song "Parachute" - Atwood Magazine

Today's Track: BEL Captures a Dreamlike Essence with Her Song "Parachute" - Atwood Magazine

      Indie pop artist BEL, an emerging talent to watch, captures a dreamy allure in "Parachute," the vibrant and optimistic final track from her debut album, ‘Holy Grail.’

      Follow our Today's Song(s) playlist

      Stream: “Parachute” – BEL

      As the road winds through Laurel Canyon, melodies seem to rise and linger, echoing the influences that have shaped BEL's music. Isabel Whelan, who embodies a lightness in her artistry, creates music that evokes emotions, allowing listeners to experience a freefall into feeling—a worthwhile risk as she leaves her mark with every melodic note she crafts.

      Holy Grail – BEL

      I compiled a list of everything

      I want to do when I find you

      Jump out of a plane

      Feel the wind in my hair

      Along with my parachute

      I know what I’m searching for

      I just need to seek a bit more

      I know what I’m searching for

      I just need to seek a bit more

      To discover it, to discover it

      BEL's journey began in Clovis, California, and she is now based in Los Angeles. The singer/songwriter recently released her debut album Holy Grail, produced by Jason Vance Harris and dropped in mid-October through Nettwerk Music Group. BEL is not a stranger to the music scene, nor to Atwood’s pages; she first showcased her talent in 2020 with "Silver Line," a song that radiates hope and encourages listeners to look inward while embracing her steadfast frequency as she continues to create, heal, and share her art. After five years, three remarkable EPs, and countless performances, her debut album presents an intimate and thrilling glimpse of a fully realized artistic vision—a mission accomplished, a dream realized.

      Restless Hearts & Holy Grails: BEL Channels the Ache of Ambition in “I Want,” an Intimate Anthem for Dreamers and Sensitive Souls:: INTERVIEW ::

      The poetry found in BEL's lyrics enriches the ambiance around her; her work is playful and resonates with the inner spirit. She reflects on her growth and passion: “I always knew I loved music and singing, but I had no clue how to pursue it… My biggest influence was my mom, who introduced me to her favorite artists from her youth—Joan Baez, Joni Mitchell, Stevie Nicks. We would always sing and harmonize to their songs in the car… Music truly opened my world.” BEL channels this same essence in her album's closing track, “Parachute.”

      You want to see my light

      I turn it on

      And you light me up

      And when the party ends

      We can dance

      around the living room

      I know what I’m searching for

      I just need to seek a bit more

      I know what I’m searching for

      I just need to seek a bit more

      To discover it, to discover it

      The track begins with electronic drum pads and soothing harmonies that stabilize the surge of emotions, as a gentle ambiance invites a fresh perspective. Subsequent bursts of distortion awaken the senses, while layered electric guitars steer the sonic journey toward an energetic and inspiring climax.

      It’s difficult to see it

      From my viewpoint

      It’s hard to stay

      Feeling optimistic

      It’s challenging to perceive it

      From my viewpoint

      It’s hard to maintain

      Feeling optimistic

      I know what I’m searching for

      I just need to seek a bit more

      I know what I’m searching for

      I just need to seek a bit more

      To discover it

      BEL illuminates her world, fostering an atmosphere of hope and positivity.

      With its expansive, exhilarating, and utterly inspiring essence, “Parachute” embodies freedom through a steadfast feeling. There is an undeniable charm in BEL’s lyrics as she approaches the risks and rewards of taking action. Her song encourages grace in choosing to believe in what is not yet visible while recognizing the opportunities that await her as she continues her musical journey.

      “Parachute” ascends with intention, transforming vulnerability into strength. It’s the sound of BEL taking flight: Fearless, wholehearted, and ready for whatever lies ahead.

      — —

      :: Read more BEL coverage ::

      :: Connect with BEL here ::

      :: Pre-save/purchase Holy Grail here ::

      — —

      Stream: “Parachute” – BEL

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      Facebook, X, TikTok, Instagram

      Explore new music on Atwood Magazine

      © SJ Spreng

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      :: Stream BEL ::

Today's Track: BEL Captures a Dreamlike Essence with Her Song "Parachute" - Atwood Magazine Today's Track: BEL Captures a Dreamlike Essence with Her Song "Parachute" - Atwood Magazine Today's Track: BEL Captures a Dreamlike Essence with Her Song "Parachute" - Atwood Magazine

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When you think of a Queens Of The Stone Age live performance, you might picture loud volume, powerful riffs, and high-energy rock music. However, what you might not anticipate are candles, orchestral arrangements, and an incredible guest appearance from Matt Berry. Fans were informed from the beginning that tonight’s concert at the iconic Royal Albert Hall in London would differ from their usual shows – indeed, with the Hallowe’en theme, it took on an eerie quality.

Concluding their Catacombs tour in a remarkable fashion, Queens Of The Stone Age tapped into supernatural energies, keeping their signature intensity but showcasing it in an altered manner. By incorporating strings, horns, diverse percussion, and keyboards, they drew comparisons to the Violent Femmes or Nick Cave and the Bad Seeds, yet maintained a unique, rebellious charm.

It certainly helps that Josh Homme remains one of rock’s standout frontmen, captivating in any scenario. Roaming the stage with a lamp – and at one point, a butcher’s cleaver – he embodies both mesmerizing theatre and real danger. A captivating presence, his frequent interactions with the audience incite excitement among female fans and jealous glances from their partners. There are also a few risqué jokes sprinkled throughout – nothing was left unsaid.

Ultimately, the music is where Queens Of The Stone Age truly excels. Diminishing volume and embracing acoustic sounds – it’s not exactly an ‘unplugged’ show, but it's close – we are treated to a remarkable three-part sequence that transitions from fan favorites to lesser-known tracks, including something completely new.

‘Running Joke / Paper Machete’ serves as a fantastic opener, with the band visibly warming up on stage. The Them Crooked Vultures classic ‘Spinning In Daffodils’ makes a rare appearance in the second act, while the finale features a stunning, near-orchestral rendition of ‘The Vampyre Of Time And Memory’ and a vocal performance of ‘Auto Pilot’ by Michael Shuman.

The new song ‘Easy Street’ has a lively salsa feel, with the audience invited to join in clapping – there's also a dual guitar solo that exudes both LA sleaze and a Fripp-inspired improvisation.

Josh Homme is clearly in his element, both teasing and entertaining the audience. There are no barriers here; at one point he reflects on his previous physical performances, nearly apologizing. It’s all about personal growth, balanced with a playful sense of humor. Waving off security, he jokes: “I don’t need protection… I need affection!” Closing the show with ‘Long Slow Goodbye’, Queens Of The Stone Age took advantage of the historic organ at the venue, unleashing thunderous chords from the massive instrument. Josh Homme and Michael Shuman delivered the vocals a cappella, before the organist dramatically revealed his identity – it was Matt Berry! A truly unforgettable finale, it encapsulates the meticulous detail and extravagant entertainment that Queens Of The Stone Age has provided during this catacombs era – let’s hope it doesn’t remain hidden forever.

SET LIST:

Act I  
Running Joke / Paper Machete  
Kalopsia  
Villains of Circumstance  
Suture Up Your Future  
I Never Came  

Act II  
Someone’s in the Wolf / A Song for the Deaf / Straight Jacket Fitting  
Mosquito Song  
Keep Your Eyes Peeled  
Spinning in Daffodils (Them Crooked Vultures cover)  

Act III  
“You Got a Killer Scene There, Man…”  
Hideaway  
The Vampyre of Time and Memory  
Auto Pilot (Michael Shuman on vocals)  
Easy Street (new song)  
Fortress…Like Clockwork  

Encore:  
Long Slow Goodbye (Joshua Homme and Michael Shuman a cappella, with Matt Berry on the Royal Albert Hall Organ)

When you think of a Queens Of The Stone Age live performance, you might picture loud volume, powerful riffs, and high-energy rock music. However, what you might not anticipate are candles, orchestral arrangements, and an incredible guest appearance from Matt Berry. Fans were informed from the beginning that tonight’s concert at the iconic Royal Albert Hall in London would differ from their usual shows – indeed, with the Hallowe’en theme, it took on an eerie quality. Concluding their Catacombs tour in a remarkable fashion, Queens Of The Stone Age tapped into supernatural energies, keeping their signature intensity but showcasing it in an altered manner. By incorporating strings, horns, diverse percussion, and keyboards, they drew comparisons to the Violent Femmes or Nick Cave and the Bad Seeds, yet maintained a unique, rebellious charm. It certainly helps that Josh Homme remains one of rock’s standout frontmen, captivating in any scenario. Roaming the stage with a lamp – and at one point, a butcher’s cleaver – he embodies both mesmerizing theatre and real danger. A captivating presence, his frequent interactions with the audience incite excitement among female fans and jealous glances from their partners. There are also a few risqué jokes sprinkled throughout – nothing was left unsaid. Ultimately, the music is where Queens Of The Stone Age truly excels. Diminishing volume and embracing acoustic sounds – it’s not exactly an ‘unplugged’ show, but it's close – we are treated to a remarkable three-part sequence that transitions from fan favorites to lesser-known tracks, including something completely new. ‘Running Joke / Paper Machete’ serves as a fantastic opener, with the band visibly warming up on stage. The Them Crooked Vultures classic ‘Spinning In Daffodils’ makes a rare appearance in the second act, while the finale features a stunning, near-orchestral rendition of ‘The Vampyre Of Time And Memory’ and a vocal performance of ‘Auto Pilot’ by Michael Shuman. The new song ‘Easy Street’ has a lively salsa feel, with the audience invited to join in clapping – there's also a dual guitar solo that exudes both LA sleaze and a Fripp-inspired improvisation. Josh Homme is clearly in his element, both teasing and entertaining the audience. There are no barriers here; at one point he reflects on his previous physical performances, nearly apologizing. It’s all about personal growth, balanced with a playful sense of humor. Waving off security, he jokes: “I don’t need protection… I need affection!” Closing the show with ‘Long Slow Goodbye’, Queens Of The Stone Age took advantage of the historic organ at the venue, unleashing thunderous chords from the massive instrument. Josh Homme and Michael Shuman delivered the vocals a cappella, before the organist dramatically revealed his identity – it was Matt Berry! A truly unforgettable finale, it encapsulates the meticulous detail and extravagant entertainment that Queens Of The Stone Age has provided during this catacombs era – let’s hope it doesn’t remain hidden forever. SET LIST: Act I Running Joke / Paper Machete Kalopsia Villains of Circumstance Suture Up Your Future I Never Came Act II Someone’s in the Wolf / A Song for the Deaf / Straight Jacket Fitting Mosquito Song Keep Your Eyes Peeled Spinning in Daffodils (Them Crooked Vultures cover) Act III “You Got a Killer Scene There, Man…” Hideaway The Vampyre of Time and Memory Auto Pilot (Michael Shuman on vocals) Easy Street (new song) Fortress…Like Clockwork Encore: Long Slow Goodbye (Joshua Homme and Michael Shuman a cappella, with Matt Berry on the Royal Albert Hall Organ)

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When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.”  
Follow our Today's Song(s) playlist  
Listen: “Oasis” – The Moss  

Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler.  
They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs.  
Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity.  
Free Ride – The Moss  
An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom.  
Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.”  
You became my oasis  
And I lay my arms down for good  
Because of all the places  
My peace was right here next to you  
Oh, you  
The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift.  
I don’t wanna be sad for myself  
I just wanna be real  
And it takes time to process everything I feel  
With that being said  
I don’t have much to say  
Turns out my thoughts  
haven’t been much but in the way  
The Moss © S-Curve Records  

Oases can be misleading – they reveal a life that exists only in dreams.  
When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade.  
The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below:  
4/2 – Seattle, WA – The Crocodile  
4/3 – Portland, OR – Hawthorne Theater  
4/4 – Eugene, OR – WOW Hall  
4/6 – San Francisco, CA – The Independent  
4/9 – Los Angeles, CA – The Troubadour  
4/10 – San Diego, CA – The Quartyard  
4/11 – Phoenix, AZ – Crescent Ballroom  
4/14 – Austin, TX – Mohawk  
4/15 – Dallas, TX – Club Dada Outdoors  
4/18 – Nashville, TN – Basement East  
4/20 – Carrboro, NC – Cat’s Cradle  
4/22 – Washington, DC – Union Stage  
4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia  
4/24 – New York, NY – Music Hall of Williamsburg  
4/25 – Boston, MA – Paradise Rock Club  
4/27 – Pittsburgh, PA – Thunderbird Cafe  
4/29 – Ann Arbor, MI – Blind Pig  
4/30 – Columbus, OH – Skully’s  
5/1 – Indianapolis, IN – Hi-Fi  
5/2 – Chicago, IL – Thalia Hall  
5/6 – Minneapolis, MN – Fine Line  
5/7 – Madison, WI – Majestic Theater  
5/8 – St. Louis, MO – Off Broadway  
5/9 – Kansas City, MO – Madrid Theater  
5/11 – Omaha, NE – Slowdown  
5/13 – Fort Collins, CO – Aggie Theater  
5/14 – Englewood, CO – Gothic Theater  
— —  
:: Stream or purchase Free Ride here ::  
:: Connect with The Moss here ::  
— —  
Listen: “Oasis” – The Moss  

— — — —  
Connect with The Moss on  
Facebook, X, TikTok, Instagram  
Discover new music on Atwood Magazine  
© S-Curve Records  

Follow our daily playlist on Spotify  

:: Stream The Moss ::

When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss ::

Anna Lynch’s debut single “Wake Up” is more than just an initial release; it's a complete release of breath. Blending jazz-infused instrumentation with a pop-infused warmth and introspective lyrics, the Manchester-based artist creates an auditory reminder that it's okay to fall apart, grow, and start anew.

Today's Track: BEL Captures a Dreamlike Essence with Her Song "Parachute" - Atwood Magazine

Indie pop artist to watch, BEL, showcases an ethereal allure on “Parachute,” the vibrant and optimistic final song from her debut album, ‘Holy Grail.’