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When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss ::

When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss ::

      Anna Lynch's debut single "Wake Up" is not merely an initial release; it's a profound release of breath. Combining jazz-infused instrumentation with the warmth of pop and introspective lyrics, this emerging artist from Manchester creates a sonic reminder that it's acceptable to break, grow, and start anew.

      When Anna Lynch sings, the world seems to soften, creating a sense of safety to embrace all emotions at once. Stepping into her solo chapter with "Wake Up," a stirring debut that blends jazz-inspired warmth with candid lyrics and softly commanding vocals, she showcases a sound that is uniquely hers: introspective, intricate, and perpetually inviting. Transitioning from her role in Manchester’s dynamic live music scene, Lynch draws on experiences from songwriting sessions at Pollard Yard to nighttime reflections on identity, womanhood, and healing, crafting music that doesn’t just convey a message—it listens.

      In an interview with Atwood Magazine, Lynch shares insights into writing from a place of despair, the distinctive sonic elements that characterize her music, and the significance of thriving (and struggling) in the limelight while maintaining authenticity.

      — —

      :: stream/purchase Wake Up here ::

      :: connect with Anna Lynch here ::

      — —

      **A CONVERSATION WITH ANNA LYNCH**

      Atwood Magazine: "Wake Up" is such an impressive debut. What made this song the ideal choice to introduce yourself as a solo artist?

      Anna Lynch: Thank you! I adore this song; I think it may have been the first we wrote and it felt perfect. Last year I hit rock bottom, and "Wake Up" represents the journey of awakening to your true self and potential. This song signifies a rebirth and self-love. It had to be released first, and I will always remember it as the starting point of this journey.

      Having spent years in Manchester's music scene with various bands, how did it feel to embark on this solo project both emotionally and creatively?

      Anna Lynch: Initially, it was scary, but it feels so right. I genuinely believe that not creating left a void within me, and now I feel deeply connected to my creativity. As a small artist, it’s challenging to envision my future, but what anchors me is the joy this brings and how fulfilling it is to create. The more I create, the more I want to continue. Writing is my source of happiness.

      The song was birthed on a sunny summer day in a shipping container at Pollard Yard (a great aesthetic backstory). Can you take us back to that session with Rhys Jiang? What sparked the magic?

      Anna Lynch: I love that question! It made me smile. Before that session, we met for coffee to discuss Rhys producing me, and I’m grateful I reached out. He has truly helped me discover my best self as an artist. The day was beautiful, and we started every session with a coffee – we walked to ‘Off The Press’ in Ancoats for our fix – then we dove into “Wake Up.” I don’t recall the exact timeline, but the chorus came to me so easily. Over the following months, we nurtured it into what you hear now. The magic was inherent in the song – it simply needed to be expressed. The atmosphere was calm and safe.

      You’ve mentioned that this track is about “waking up to yourself” and embracing your complexities as a woman. Was there a particular moment in your life that inspired this lyric?

      Anna Lynch: Last year, after reaching rock bottom, I had to turn inward. I needed to reassess how I spoke to myself and what I felt about myself—essentially, waking up to what was truly there. I learned to recognize the love and perception from others and aimed to adopt a kinder perspective towards myself.

      "You can bloom and wither and still be beautiful." That line resonates deeply. How did you arrive at that sentiment, and what does it signify for you?

      Anna Lynch: Similar to what I said before, hitting rock bottom can lead to both blooming and withering. One of my primary focuses is to cultivate unwavering self-worth that isn’t tied to achievements but exists amid the blooming and wilting. This line questions whether you can still love yourself during tough times.

      Your sound beautifully integrates jazz elements with soul-pop influences. What attracted you to this unique blend, and did it come about naturally?

      Anna Lynch: It somewhat developed organically. People have often pointed out my vocal "tone." I grew up enchanted by Amy Winehouse—her lyrics, her voice, her performances—all were magical influences. I've always gravitated towards the lower register of my voice, which feels natural and fitting.

      You’ve looked up to artists like Laura Marling, Amy Winehouse, and Olivia Dean. What insights have you gained from them, both musically and as women in the industry?

      Anna Lynch: I discovered Laura Marling later in her career, but after seeing her live

When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss :: When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss :: When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss :: When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss :: When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss :: When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss :: When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss ::

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 When you think of a Queens Of The Stone Age live performance, you might picture loud volume, powerful riffs, and high-energy rock music. However, what you might not anticipate are candles, orchestral arrangements, and an incredible guest appearance from Matt Berry. Fans were informed from the beginning that tonight’s concert at the iconic Royal Albert Hall in London would differ from their usual shows – indeed, with the Hallowe’en theme, it took on an eerie quality. Concluding their Catacombs tour in a remarkable fashion, Queens Of The Stone Age tapped into supernatural energies, keeping their signature intensity but showcasing it in an altered manner. By incorporating strings, horns, diverse percussion, and keyboards, they drew comparisons to the Violent Femmes or Nick Cave and the Bad Seeds, yet maintained a unique, rebellious charm. It certainly helps that Josh Homme remains one of rock’s standout frontmen, captivating in any scenario. Roaming the stage with a lamp – and at one point, a butcher’s cleaver – he embodies both mesmerizing theatre and real danger. A captivating presence, his frequent interactions with the audience incite excitement among female fans and jealous glances from their partners. There are also a few risqué jokes sprinkled throughout – nothing was left unsaid. Ultimately, the music is where Queens Of The Stone Age truly excels. Diminishing volume and embracing acoustic sounds – it’s not exactly an ‘unplugged’ show, but it's close – we are treated to a remarkable three-part sequence that transitions from fan favorites to lesser-known tracks, including something completely new. ‘Running Joke / Paper Machete’ serves as a fantastic opener, with the band visibly warming up on stage. The Them Crooked Vultures classic ‘Spinning In Daffodils’ makes a rare appearance in the second act, while the finale features a stunning, near-orchestral rendition of ‘The Vampyre Of Time And Memory’ and a vocal performance of ‘Auto Pilot’ by Michael Shuman. The new song ‘Easy Street’ has a lively salsa feel, with the audience invited to join in clapping – there's also a dual guitar solo that exudes both LA sleaze and a Fripp-inspired improvisation. Josh Homme is clearly in his element, both teasing and entertaining the audience. There are no barriers here; at one point he reflects on his previous physical performances, nearly apologizing. It’s all about personal growth, balanced with a playful sense of humor. Waving off security, he jokes: “I don’t need protection… I need affection!” Closing the show with ‘Long Slow Goodbye’, Queens Of The Stone Age took advantage of the historic organ at the venue, unleashing thunderous chords from the massive instrument. Josh Homme and Michael Shuman delivered the vocals a cappella, before the organist dramatically revealed his identity – it was Matt Berry! A truly unforgettable finale, it encapsulates the meticulous detail and extravagant entertainment that Queens Of The Stone Age has provided during this catacombs era – let’s hope it doesn’t remain hidden forever. SET LIST: Act I Running Joke / Paper Machete Kalopsia Villains of Circumstance Suture Up Your Future I Never Came Act II Someone’s in the Wolf / A Song for the Deaf / Straight Jacket Fitting Mosquito Song Keep Your Eyes Peeled Spinning in Daffodils (Them Crooked Vultures cover) Act III “You Got a Killer Scene There, Man…” Hideaway The Vampyre of Time and Memory Auto Pilot (Michael Shuman on vocals) Easy Street (new song) Fortress…Like Clockwork Encore: Long Slow Goodbye (Joshua Homme and Michael Shuman a cappella, with Matt Berry on the Royal Albert Hall Organ)

When you think of a Queens Of The Stone Age live performance, you might picture loud volume, powerful riffs, and high-energy rock music. However, what you might not anticipate are candles, orchestral arrangements, and an incredible guest appearance from Matt Berry. Fans were informed from the beginning that tonight’s concert at the iconic Royal Albert Hall in London would differ from their usual shows – indeed, with the Hallowe’en theme, it took on an eerie quality. Concluding their Catacombs tour in a remarkable fashion, Queens Of The Stone Age tapped into supernatural energies, keeping their signature intensity but showcasing it in an altered manner. By incorporating strings, horns, diverse percussion, and keyboards, they drew comparisons to the Violent Femmes or Nick Cave and the Bad Seeds, yet maintained a unique, rebellious charm. It certainly helps that Josh Homme remains one of rock’s standout frontmen, captivating in any scenario. Roaming the stage with a lamp – and at one point, a butcher’s cleaver – he embodies both mesmerizing theatre and real danger. A captivating presence, his frequent interactions with the audience incite excitement among female fans and jealous glances from their partners. There are also a few risqué jokes sprinkled throughout – nothing was left unsaid. Ultimately, the music is where Queens Of The Stone Age truly excels. Diminishing volume and embracing acoustic sounds – it’s not exactly an ‘unplugged’ show, but it's close – we are treated to a remarkable three-part sequence that transitions from fan favorites to lesser-known tracks, including something completely new. ‘Running Joke / Paper Machete’ serves as a fantastic opener, with the band visibly warming up on stage. The Them Crooked Vultures classic ‘Spinning In Daffodils’ makes a rare appearance in the second act, while the finale features a stunning, near-orchestral rendition of ‘The Vampyre Of Time And Memory’ and a vocal performance of ‘Auto Pilot’ by Michael Shuman. The new song ‘Easy Street’ has a lively salsa feel, with the audience invited to join in clapping – there's also a dual guitar solo that exudes both LA sleaze and a Fripp-inspired improvisation. Josh Homme is clearly in his element, both teasing and entertaining the audience. There are no barriers here; at one point he reflects on his previous physical performances, nearly apologizing. It’s all about personal growth, balanced with a playful sense of humor. Waving off security, he jokes: “I don’t need protection… I need affection!” Closing the show with ‘Long Slow Goodbye’, Queens Of The Stone Age took advantage of the historic organ at the venue, unleashing thunderous chords from the massive instrument. Josh Homme and Michael Shuman delivered the vocals a cappella, before the organist dramatically revealed his identity – it was Matt Berry! A truly unforgettable finale, it encapsulates the meticulous detail and extravagant entertainment that Queens Of The Stone Age has provided during this catacombs era – let’s hope it doesn’t remain hidden forever. SET LIST: Act I Running Joke / Paper Machete Kalopsia Villains of Circumstance Suture Up Your Future I Never Came Act II Someone’s in the Wolf / A Song for the Deaf / Straight Jacket Fitting Mosquito Song Keep Your Eyes Peeled Spinning in Daffodils (Them Crooked Vultures cover) Act III “You Got a Killer Scene There, Man…” Hideaway The Vampyre of Time and Memory Auto Pilot (Michael Shuman on vocals) Easy Street (new song) Fortress…Like Clockwork Encore: Long Slow Goodbye (Joshua Homme and Michael Shuman a cappella, with Matt Berry on the Royal Albert Hall Organ)

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When your world falls apart, the only option left is to reflect – a reality that Salt Lake City’s The Moss understands deeply, navigating through their poignant lyrics in their touching single “Oasis.” Follow our Today's Song(s) playlist Listen: “Oasis” – The Moss Oahu marked the beginning of something remarkable for teenage friends Tyke James and Willie Fowler. They formed a band called The Moss, and the rest is history. They have recently added a third member, Tyler Harris, on guitar. Influenced by artists like Pinegrove and Kevin Morby, The Moss infuses their roots and intricate lyrics into vibrant indie rock songs. Lead singer and songwriter Tyke James draws from his personal experiences to inspire the band’s lyrics – and “Oasis,” from their latest EP, Free Ride, reflects this. Devoting yourself entirely to someone leads to a feeling of being lost in their absence. When that connection is severed, it becomes evident how much you depended on them, often at the cost of your own identity. Free Ride – The Moss An oasis symbolizes an escape from the chaos of reality – a moment where turmoil is paused and life can flourish. It serves as a retreat from the world, highlighting life's invaluable treasures. One's inner thoughts quiet down, and instinctively, a person finds freedom. Everyone has their own sanctuary, and for James, it’s the bond he shared with a specific person. “‘Oasis’ is about discovering someone at a certain moment who makes you feel acknowledged,” shares The Moss’ frontman. “It’s about how essential yet short-lived it is to have someone to confide in.” You became my oasis And I lay my arms down for good Because of all the places My peace was right here next to you Oh, you The line, “My peace was right here next to you,” conveys the sentiment that without his oasis, James was left unsettled. His sense of peace relied on this individual, and with their departure, he feels adrift. I don’t wanna be sad for myself I just wanna be real And it takes time to process everything I feel With that being said I don’t have much to say Turns out my thoughts haven’t been much but in the way The Moss © S-Curve Records Oases can be misleading – they reveal a life that exists only in dreams. When someone catches a glimpse of this, they begin to envision what their life could resemble in this new existence. The heart takes precedence, while logic recedes. An oasis can distract a person from their troubles, but it ultimately offers merely a temporary reprieve. Despite the emotional uplift it brings, every oasis must eventually fade. The trio recently announced plans for a six-week headlining tour in 2026. Check out the dates below: 4/2 – Seattle, WA – The Crocodile 4/3 – Portland, OR – Hawthorne Theater 4/4 – Eugene, OR – WOW Hall 4/6 – San Francisco, CA – The Independent 4/9 – Los Angeles, CA – The Troubadour 4/10 – San Diego, CA – The Quartyard 4/11 – Phoenix, AZ – Crescent Ballroom 4/14 – Austin, TX – Mohawk 4/15 – Dallas, TX – Club Dada Outdoors 4/18 – Nashville, TN – Basement East 4/20 – Carrboro, NC – Cat’s Cradle 4/22 – Washington, DC – Union Stage 4/23 – Philadelphia, PA – Brooklyn Bowl Philadelphia 4/24 – New York, NY – Music Hall of Williamsburg 4/25 – Boston, MA – Paradise Rock Club 4/27 – Pittsburgh, PA – Thunderbird Cafe 4/29 – Ann Arbor, MI – Blind Pig 4/30 – Columbus, OH – Skully’s 5/1 – Indianapolis, IN – Hi-Fi 5/2 – Chicago, IL – Thalia Hall 5/6 – Minneapolis, MN – Fine Line 5/7 – Madison, WI – Majestic Theater 5/8 – St. Louis, MO – Off Broadway 5/9 – Kansas City, MO – Madrid Theater 5/11 – Omaha, NE – Slowdown 5/13 – Fort Collins, CO – Aggie Theater 5/14 – Englewood, CO – Gothic Theater — — :: Stream or purchase Free Ride here :: :: Connect with The Moss here :: — — Listen: “Oasis” – The Moss — — — — Connect with The Moss on Facebook, X, TikTok, Instagram Discover new music on Atwood Magazine © S-Curve Records Follow our daily playlist on Spotify :: Stream The Moss ::

Anna Lynch’s debut single “Wake Up” is more than just an initial release; it's a complete release of breath. Blending jazz-infused instrumentation with a pop-infused warmth and introspective lyrics, the Manchester-based artist creates an auditory reminder that it's okay to fall apart, grow, and start anew.

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