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Premiere: Izzy Outerspace Delivers a Passionate, Intense, and Emotional Reckoning with “Closer” - Atwood Magazine

Premiere: Izzy Outerspace Delivers a Passionate, Intense, and Emotional Reckoning with “Closer” - Atwood Magazine

      Izzy Outerspace unleashes an intense, emotionally charged tempest with “Closer,” the dramatic leading single from her forthcoming album ‘A Romance Truly Tried.’ The track merges raw confessions with a cinematic alt-rock explosion that profoundly resonates.

      Stream: “Closer” – Izzy Outerspace

      Soft branches shudder above, as dirt, bark, wind, and breath converge in a confined, eager space. An electrifying voice breaks through the underbrush, propelled by waves of fervent overdrive and pulsating drums with a volcanic intensity. Izzy Outerspace’s “Closer” strikes like an exposed nerve – a personal, internal reckoning set against a cinematic, passionate, and turbulent alternative backdrop. The guitars roar; melodies blaze brightly and fervently; the drums thump heavily, the rhythm oppressive and relentless. Isabelle Baumgartner’s voice pulsates with life, revealing raw emotions in real-time. It aches; it resonates; it is unapologetic, dynamic, and undeniably dramatic – and oh, is it dramatic. “Closer” is not a mere whisper of desire; it’s a comprehensive confessional.

      “Closer” – Izzy Outerspace

      tell me

      I want to know

      or rest in the unknown

      quiet cries for help

      you’re never truly present

      never content

      never content

      Atwood Magazine proudly debuts “Closer,” the lead single and music video from Izzy Outerspace’s anticipated alternative album A Romance Truly Tried, scheduled for release in 2026. Mixed and mastered by Josiah Mazzaschi at Cave Studio LA and recorded by Christian Paul Philippi, “Closer” signifies a bold new chapter for the Swiss-born, Los Angeles-based artist. Following her 2024 Lip Service EP and 2025’s Dreamstate EP (produced by former Smashing Pumpkins member Jeff Schroeder), this song serves as the initial glimpse into an album that probes deeper, strikes harder, and embraces the more chaotic aspects of love, desire, and emotional intensity.

      “I appreciate how songwriting connects me to an unconscious part of myself, and how each listener can interpret a song differently. Music is powerful in that way,” Baumgartner shares with Atwood Magazine. This sense of enigma and variety permeates “Closer.” It feels like a dialogue with someone you can’t quite grasp – and with the portion of yourself that stubbornly desires them regardless. “Tell me / I want to know / or rest in the unknown” teeters between confrontation and surrender, craving clarity while acknowledging the comfort of ambiguity.

      keep your

      pupils small

      you’re a

      human fly

      on the wall

      i still think

      about throwing

      that leash

      i just wanted to

      keep you closer

      As the song progresses, its tension intensifies. Baumgartner’s lyrics oscillate between unsettling and personal – “keep your pupils small / you’re a human fly on the wall” – depicting her subject as an elusive presence, always close yet never fully there. The repeated refrain, “I just wanted to keep you closer, closer,” transforms the chorus into a mantra of desire, resignation, and raw emotional need. Her voice rides the distortion with a searing intensity, teetering at the edges to allow the ache to seep through. It’s chaotic, emotionally charged, an alt-rock fever that never relents.

      The accompanying music video, filmed and edited by Molly Koch, remains grounded and immediate. Shot outdoors among trees and lush greenery, it neither over-explains nor imposes a narrative; instead, it offers an unfiltered, intimate glimpse of Izzy Outerspace and her bandmates – Tommy Oerding on drums and Clifton Weaver on bass – immersed in the song’s tempest. Nature frames the chaos, serving as a vibrant backdrop as they thrash, sweat, and smolder through Baumgartner’s inner struggle.

      if you’re still here

      if you’re still here

      i offer you

      i offer you

      the world

      That performance embodies the emotional essence of “Closer.” Baumgartner sings as though she’s clawing her way to the truth – or away from it – with every strained breath and heated crescendo. The production enhances that volatility, allowing the guitars to snarl, the bass to grind, and the drums to penetrate the mix without smoothing over the song’s rough edges. It’s dramatic in the finest sense: grand feelings, vast sounds, and a sense of immediacy that makes the entire piece feel palpably alive.

      Izzy Outerspace “Closer” © 2025

      Born and raised in Switzerland and now residing in Los Angeles, Baumgartner grew up surrounded by Britpop, German punk, and the profound emotional resonance of picking up the guitar later in life. “I’ve always perceived it as a meditative process,” she explains. “I aim to create music that feels like entering another realm where you might lose yourself.” Over recent years - spanning

Premiere: Izzy Outerspace Delivers a Passionate, Intense, and Emotional Reckoning with “Closer” - Atwood Magazine Premiere: Izzy Outerspace Delivers a Passionate, Intense, and Emotional Reckoning with “Closer” - Atwood Magazine Premiere: Izzy Outerspace Delivers a Passionate, Intense, and Emotional Reckoning with “Closer” - Atwood Magazine Premiere: Izzy Outerspace Delivers a Passionate, Intense, and Emotional Reckoning with “Closer” - Atwood Magazine Premiere: Izzy Outerspace Delivers a Passionate, Intense, and Emotional Reckoning with “Closer” - Atwood Magazine

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A contemplative, dark yet incredibly captivating comeback...

                                          
                                         
                                        
                                            21 · 11 · 2025                                        
                                         
                                         
                                        
                                        
                                            
                                                
                                                            
Noah Dillon and Chandler Lucy are the initial creators of a sound and vibe that has emerged at the forefront of underground awareness. Dillon remarked, “When I founded the band, I had a singular goal: to make a mark in the underground. We achieved that by 2019.” 

This could be seen as egotism or viewed as self-praise amidst the vast discussions in the music world circulating on the internet. However, he makes a valid observation. Before the emergence of Hedi boys and the phrase 'indie sleaze revival,' The Hellp was gradually developing a sound and vision. A distinctly American perspective: freedom. By combining various sounds and influences, they shaped something fresh and unique, tapping into a sense of youthful urgency and genre flexibility.

‘Riviera’ is an album that has lingered in Dillon's thoughts for eight years. It was only after securing a deal with Atlantic Records and exploring the edges of alternative pop music that the version of The Hellp we recognize today took form. Their label debut, ‘LL,’ was a strategic experiment focused on crafting “bangers.” This approach received critical praise and helped build a robust fanbase enchanted by the blend of electroclash and indie rock. ‘LL’ is relentless and loud, with The Hellp's desire for recontextualization evident throughout the project, from the witch house influences in ‘Shadow’ to the erratic synthesizers and drums in ‘Rllynice.’

—

—

This new album adopts a different stance. ‘Riviera’ is marked by a slower, darker tone. The sound design remains abrasive at times, yet Dillon and Lucy construct an immersive soundscape that feels just as much about ascending as it does about descending. ‘Country Road,’ which references the John Denver classic, is polished and atmospheric. Like much of the album, it serves as a backdrop for long drives and nighttime journeys; intimate, visceral, and occasionally euphoric. The closing track ‘Live Forever’ has become a recent live fixture, embodying the same evocative and sentimental qualities found in the 2021 fan-favorite ‘Ssx.’

‘Here I Am’ features visual artist Maggie Cnossen, who presents one of the catchiest hooks of 2025 with the “From LA to LA, la la la” refrain. This penultimate track on ‘Riviera’ is mournful, presenting a vivid pop sound with subdued electronica while narrating contrasting aspects of Americana. ‘Meridian’ begins with a nod to ‘LL’ opener ‘U,’ featuring an anxious piano motif that gradually builds into a sober pop-rock chorus. It stands out as a definitive moment in the band's catalog. Each element of the track embodies the core essence of The Hellp: genuine hooks, synths that shift from delicate to explosive, and powerful drums. While it might be limiting to distill their sound to just a few signature elements, it is the distinctive character of The Hellp, built upon this foundation, that creates their unique world. Many seek to imitate it, yet Noah Dillon and Chandler Lucy originated this style and continue to excel at it.

8/10

Words: James Mellen

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                                                Join us on WeAre8, as we delve into significant cultural events worldwide. Follow Clash Magazine HERE as we joyfully navigate through clubs, concerts, interviews, and photo shoots. Get exclusive behind-the-scenes glimpses and insights into our world as the fun and festivities unfold.

Join the Clash mailing list for the latest updates on music, fashion, and film news.

A contemplative, dark yet incredibly captivating comeback... 21 · 11 · 2025 Noah Dillon and Chandler Lucy are the initial creators of a sound and vibe that has emerged at the forefront of underground awareness. Dillon remarked, “When I founded the band, I had a singular goal: to make a mark in the underground. We achieved that by 2019.” This could be seen as egotism or viewed as self-praise amidst the vast discussions in the music world circulating on the internet. However, he makes a valid observation. Before the emergence of Hedi boys and the phrase 'indie sleaze revival,' The Hellp was gradually developing a sound and vision. A distinctly American perspective: freedom. By combining various sounds and influences, they shaped something fresh and unique, tapping into a sense of youthful urgency and genre flexibility. ‘Riviera’ is an album that has lingered in Dillon's thoughts for eight years. It was only after securing a deal with Atlantic Records and exploring the edges of alternative pop music that the version of The Hellp we recognize today took form. Their label debut, ‘LL,’ was a strategic experiment focused on crafting “bangers.” This approach received critical praise and helped build a robust fanbase enchanted by the blend of electroclash and indie rock. ‘LL’ is relentless and loud, with The Hellp's desire for recontextualization evident throughout the project, from the witch house influences in ‘Shadow’ to the erratic synthesizers and drums in ‘Rllynice.’ — — This new album adopts a different stance. ‘Riviera’ is marked by a slower, darker tone. The sound design remains abrasive at times, yet Dillon and Lucy construct an immersive soundscape that feels just as much about ascending as it does about descending. ‘Country Road,’ which references the John Denver classic, is polished and atmospheric. Like much of the album, it serves as a backdrop for long drives and nighttime journeys; intimate, visceral, and occasionally euphoric. The closing track ‘Live Forever’ has become a recent live fixture, embodying the same evocative and sentimental qualities found in the 2021 fan-favorite ‘Ssx.’ ‘Here I Am’ features visual artist Maggie Cnossen, who presents one of the catchiest hooks of 2025 with the “From LA to LA, la la la” refrain. This penultimate track on ‘Riviera’ is mournful, presenting a vivid pop sound with subdued electronica while narrating contrasting aspects of Americana. ‘Meridian’ begins with a nod to ‘LL’ opener ‘U,’ featuring an anxious piano motif that gradually builds into a sober pop-rock chorus. It stands out as a definitive moment in the band's catalog. Each element of the track embodies the core essence of The Hellp: genuine hooks, synths that shift from delicate to explosive, and powerful drums. While it might be limiting to distill their sound to just a few signature elements, it is the distinctive character of The Hellp, built upon this foundation, that creates their unique world. Many seek to imitate it, yet Noah Dillon and Chandler Lucy originated this style and continue to excel at it. 8/10 Words: James Mellen — - Join us on WeAre8, as we delve into significant cultural events worldwide. Follow Clash Magazine HERE as we joyfully navigate through clubs, concerts, interviews, and photo shoots. Get exclusive behind-the-scenes glimpses and insights into our world as the fun and festivities unfold. Join the Clash mailing list for the latest updates on music, fashion, and film news.

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