Atwood Magazine speaks with Irish singer/songwriter Harry Hudson Taylor about his debut solo single “Dear You, It’s Me,” the lasting impact of sibling harmony within Hudson Taylor, his transition during the Lady Bird Lad phase, and the subtle bravery required to create from stillness instead of the spotlight, among other topics.
“Dear You, It’s Me” – Harry Hudson Taylor
I believe there is strength in silence. We are inundated with noise—music, media, news, and opinions—and at times, the most radical act is to whisper instead of shout.
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Harry Hudson Taylor provides a quietly revolutionary offering in this era of digital distraction and relentless performance: Presence. Recognized primarily as one half of the folk-pop sibling duo Hudson Taylor, Harry has earned acclaim for his melodic sensibility and the natural chemistry of sibling harmony. However, with the launch of “Dear You, It’s Me,” he makes a courageous and introspective shift, not only presenting himself as a solo artist but also as a storyteller reclaiming his voice in its most authentic form. The track, which originated as a spontaneous journal entry, symbolizes a return, both to himself and to his roots: unrefined, raw, and profoundly human.
This artistic evolution follows years of personal growth, transformation, and reflection. After Hudson Taylor disbanded, Harry briefly explored music under the name Lady Bird Lad, allowing him space to experiment and detach from past identities. Yet, it was upon resuming the use of his full name that things began to resonate. The vulnerability of standing behind his given name reflects the emotional openness of his current work, which prioritizes truth over perfection. The outcome feels more like a heartfelt conversation than a typical single.
With “Dear You, It’s Me,” Harry returns with something deeply personal, raw, and resonant. This new release marks a remarkable new phase, breaking away from conventional folk-pop structures in favor of the vulnerable rhythms of spoken word, ambient textures, and emotional exploration. Originating from a journal entry and propelled by rhythm, breath, and instinct, the piece invites listeners into a space of introspection and radical honesty.
Set against the atmospheric backdrop of Berlin, where Harry now lives, “Dear You, It’s Me” is a reflective and cinematic work—spiritual, grounded, and refreshingly honest. With bodhrán rhythms, subtle textures, and a spoken format, it transcends genres to emphasize emotional depth. It serves as a letter to oneself, an invitation to pause, and a reminder to soften the inner voice that demands certainty and control. For an artist known for his melodic tendencies, this spoken-word venture represents not a diversion, but a return home.
In our conversation, Harry discusses everything from the early stages of his musical journey to the quiet insights gained from Berlin’s open mic scene. He speaks openly about his relationship with identity, the importance of harmony, and the delicate act of sharing a piece that was never intended to be a 'song' in the conventional sense. Throughout our talk, a recurring theme emerges: a desire to connect, not through spectacle, but through stillness.
Atwood Magazine is excited to unveil an intimate and introspective conversation with Harry Hudson Taylor, an artist redefining the notion of sharing space through music. This is not just a new chapter; it signifies a return to something fundamental. Vulnerable, present, and deeply authentic, Harry invites us into the often-overlooked quiet spaces and reminds us that even a whisper can resonate profoundly in the right moment.
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“Dear You, It’s Me” – Harry Hudson Taylor
A CONVERSATION WITH HARRY HUDSON TAYLOR
Atwood Magazine: Let’s begin at the start. How did your journey in music commence, and what attracted you to songwriting initially?
Harry Hudson Taylor: It all started quite early — even before Hudson Taylor. As a baby, my dad would sit me at the piano, and apparently, I would stop crying once I started playing. I also used to have a YouTube channel (recently revived for this release) where I uploaded various little songs and covers. I was always drawn to melody, particularly vocal harmony. I felt that music could convey emotions that words couldn’t quite reach. I didn't realize it then, but looking back, I used music to stay truly present. Eventually, songwriting became my means of processing life. During my teenage years, I didn’t actually write many lyrics.
Hudson Taylor had such a distinct identity rooted in harmony and connection. What was your experience like growing up and making music with your brother, and how has that influenced you as a solo artist today?
Harry Hudson Taylor: Harmony is integral to my identity. Singing with Alfie taught me a great deal about listening, blending, and creating space for another voice. That lesson carries through everything I do. Even now, in this solo phase, I instinctively hear harmonies everywhere — the buzz of a
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Atwood Magazine connects with Irish singer/songwriter Harry Hudson Taylor to talk about his debut solo single “Dear You, It’s Me,” the lasting influence of sibling harmony in Hudson Taylor, the meaningful shift during his Lady Bird Lad phase, and the subtle bravery involved in creating from a place of stillness instead of being in the limelight, among other topics.