An eclectic and often powerful album...
New Zealand’s The Beths have always defied conventionality, creating a diverse mix of indie pop and rock. The Auckland quartet presents their fourth studio album, ‘Straight Line Was A Lie’, marking their debut with new label ANTI. This album is shaped by a variety of influences, some anticipated and others more surprising, like Olivia Rodrigo and the films of Kurosawa.
The title track features a post-punk vibe combined with a pop chorus, driven by distorted, fuzzy guitars that convey a palpable sense of angst. It serves as a strong opening for the album, showcasing a slightly different facet of The Beths.
In contrast, ‘Mosquito’ features a gentle backdrop that complements Elizabeth Stokes’ vocals and gradually expands into a fuller sound. Jonathan Pearce shines with his sharp guitar riffs. The band's ability to weave together diverse styles without losing the focus of the track is quite remarkable.
An atmosphere of existential dread and unease permeates this record, with ‘No Joy’ emphasizing this sensation. The track delivers a surge of adrenaline that feels like a plunge into the unknown. Despite its rawness, there is a profound beauty at its core, reminiscent of the ’70s punk era enhanced by modern production. It highlights the band’s skill in transitioning through different soundscapes effortlessly. Tristan Deck’s drumming propels the song forward with an intense energy. The track maintains this vitality, with several songs easily imagineable thriving in the band’s live performances, as Pearce’s guitar work and Benjamin Sinclair’s frenetic basslines shine.
The Go-Go’s have been acknowledged as an influence on this album, and that new wave sound comes through prominently on ‘Metal’, which feels perfectly suited for a long drive. It’s more melodic and provides a refreshing change, with Stokes’ impressive vocal range once again on display. ‘Mother, Pray For Me’ is deeply personal and heartfelt, standing out as one of the most beautiful songs the band has released in their entire catalog. It carries a vulnerability and a narrative that many listeners will relate to.
‘Straight Line Was A Lie’ presents yet another eclectic collection from The Beths. It is a captivating work with many layers to explore. The album swings between energetic fervor and more stripped-back, ethereal moments. The group merits recognition for their ability to blend varying influences and styles with such finesse. This album ranks among their strongest work to date and is sure to be a favorite that fans revisit frequently.
8/10
Words: Chris Connor
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