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Australian singer/songwriter Dean Lewis shares his thoughts on pressure, passion, and the significance of timing with the release of The Epilogue’s deluxe edition.
Dean Lewis’ music often resonates as emotional lifelines, transforming personal heartbreak into universally relatable narratives. With The Epilogue (Deluxe), the Australian artist offers a collection that feels both intimate and widely relatable. This expanded version is not merely a compilation of additional tracks; it showcases Lewis’ relentless pursuit of capturing real emotions, whether through a song that took years to complete or one that was crafted in just a day. Urgent, unfiltered, and candidly honest, The Epilogue (Deluxe) serves as a testament to why Lewis’ music continues to connect with audiences in stadiums and on streaming platforms.
“I’m constantly writing songs,” he explains. “There was a track called ‘With You’ that just took a long time. I worked with Rihanna’s team on it with the expectation that she would release it. However, it eventually returned to me just as my album was about to come out. It didn’t make the cutoff for the original album, but I didn’t want to wait for the next album cycle to release it.”
This unstoppable energy is evident in the deluxe edition. For instance, “I Hate That It’s True” was created almost instantly—written and recorded in one day, completed in a week, and released shortly thereafter. “It’s not easy to write songs like that,” Lewis admits. “So, I had to include it on the album.”
This urgency is the common thread in his creations: he writes out of necessity and feels compelled to share, as keeping a song to himself seems unthinkable.
What’s notable is how well these “extra” tracks have been received. “Interestingly, the deluxe songs have actually connected better with fans,” Lewis observes. “They’re streaming much more successfully. I’m not sure how much they enrich the overall story; I just feel they are truly strong songs that I’m proud of. A lot of it is simply about timing.”
Timing has always been crucial for Lewis, who grew up inspired not by local Australian musicians but by international icons like Oasis and the Goo Goo Dolls. This influence is brought full circle with his cover of “Iris,” a song he holds in high esteem. “I genuinely consider ‘Iris’ the greatest song ever,” he states confidently. “The lyrics are absolutely remarkable—‘You bleed just to know you’re alive’ and ‘I’d give up forever to touch you’ are just incredible.”
The cover serves not merely as homage but as a significant career highlight. Years ago, while “Be Alright” was a hit on U.S. radio, Lewis had the chance to share a stage with the Goo Goo Dolls during holiday performances. “They were genuinely nice people,” he recalls. “And now this song is currently outperforming everything, which is astonishing.”
For a fan who once analyzed their music in his room, this represents a surreal moment of full-circle. Yet, Lewis’ journey has not been without its challenges. Following the initial wave of success, he encountered a difficult period during the pandemic. “After COVID, I felt like everything was over,” he confesses. “When my singles weren’t resonating and ‘How Do I Say Goodbye’ was released, I didn’t even hear back from my team. It was wild.”
That ballad, inspired by his father’s sickness, reversed the narrative once more, becoming a global hit that reminded both the industry and fans of Lewis’ greatest talent: creating songs that strike directly at the heart. He seeks that immediacy in the studio, often recording songs on the very same day they’re written. “It can feel unusual—you’re recording before you fully understand how the song should sound,” he notes. “Yet, that brings a thrilling element. Sometimes, you can’t recreate that passion later on.”
At his live performances, fans’ responses showcase the raw potency of his music. “People come to the front row to express their emotions and cry,” he shares. “Every night, throughout a hundred nights each year on tour, I witness people crying and connecting with the music. It’s truly special.”
Now, standing at a juncture between past achievements and upcoming projects, Lewis is embracing possibilities. He is currently in Los Angeles working on his next album, experimenting with collaborations—including a recent joint effort with the Jonas Brothers—and observing with interest as TikTok transforms the music industry. “TikTok has been incredibly positive for me,” he admits. “I’ve dedicated a lot of time to writing instead of taking holidays. I don’t really take breaks—I just focus on writing and recording. I’m really looking forward to sharing new music with the world.”
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Australian singer/songwriter Dean Lewis shares his thoughts on pressure, passion, and explains how the deluxe edition of The Epilogue highlights the importance of timing.