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Returning Home: An Interview with Zeyne

Returning Home: An Interview with Zeyne

      Some artists have been strategizing their quest for world domination since they first entered this realm, while others accidentally discover it. Zeyne, an emerging talent from Amman, Jordan, always recognized her musical abilities but wasn't always prepared to showcase them to the world. From taking piano lessons at a young age to singing privately for her mother, Zeyne never anticipated her life would take this direction. “Not a single inch in my body thought I could do it,” she shared with CLASH. “It was definitely something so personal that it was just between me, myself, and I.”

      Originally intending to work at a public relations firm in the UK, the pandemic altered the course of Zeyne’s career. Upon her return to Amman, she started sharing cover songs on Instagram, which quickly garnered her a devoted fanbase. Zeyne’s music reflects her unique sound, blending Eastern and Western influences. Additionally, she is making waves as a rising fashion icon: featuring on the inaugural cover of Rolling Stone MENA, there’s little doubt that Zeyne is on her way to becoming a global pop sensation.

      Nonetheless, Zeyne’s main focus remains on music. She thrives on the energy from her fans and draws inspiration from her heritage, infusing ceremonial aspects of her culture into her expressive performances, which shine in her interactive live shows. One prominent element is her background in Dabke, a dance form deeply rooted in Palestinian and Levantine culture. The opening track of her debut album ‘AWDA’ (meaning “return” in Arabic), titled ‘Asli Ana’, pays significant homage to the Levantine folk dance.

      ‘Asli Ana’ serves as a compelling introduction, addressing the theme of “decolonizing your mind; letting go, and freeing yourself from the narratives imposed on you,” Zeyne explains. “I felt it was really important to create a song and message like that during a time when I perceived my culture and my people were being subjected to ethnic cleansing and erasure.”

      Not merely an auditory experience, Zeyne has produced an accompanying short film that highlights the richness and diversity of her culture, serving as a poignant reminder that “we exist, and our existence is our resistance.” Joyful and beautifully arranged, Zeyne includes a recitation of Palestinian author Mahmoud Darwish’s renowned poem ‘On this land…’ in the album’s finale track ‘Kollo Lena’, deepening its significance within a pop music framework.

      The decision to include the poem was not an initial certainty: Zeyne and her team opted to incorporate it later during production because “it fits so well with the song’s sentiment, which speaks to the resilience and spirit of the Palestinian people. It made the most sense to conclude the album with this uplifting and hopeful message.”

      Addressing themes of mental health, self-determination, and Arabic pride on ‘AWDA’, Zeyne balances these profound subjects with lighter moments. In ‘liya’, her tribute to “unserious men,” she delves into the chaotic world of contemporary dating. “I dedicate this song to the boys, because, really, I can’t even call them men, but, yeah, it’s just kind of a funny, sassy, sarcastic jab,” she quips.

      Walking the line between playful and serious topics, Zeyne understands that to thrive in the industry, she must be a versatile artist. Committed to her craft, with both songwriting skills and charisma, Zeyne aims for ‘AWDA’ to capture “the full spectrum of emotions, even if you don’t understand the language.”

      Zeyne recalls a recent performance in Norway, where an enthusiastic crowd allowed themselves to be enveloped by her spiritual music; a moment in which music became a shared experience, with people from diverse backgrounds dancing and cheering together. “The album is called ‘AWDA’ for a reason. It means return,” she concludes, a concept deeply connected to Palestinian resistance, as well as the audience that will surely return to Zeyne as she establishes her presence.

      Words: Lauren Dehollogne

Returning Home: An Interview with Zeyne Returning Home: An Interview with Zeyne

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Tune in now.

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Photo Credit: Travys Owen

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Join us on WeAre8 as we dive into global cultural events. Follow Clash Magazine HERE for a seamless journey through clubs, concerts, interviews, and photo shoots. Get backstage insights and a glimpse into our world as the excitement unfolds.

Subscribe to the Clash mailing list for the latest updates on music, fashion, and film news.

The versatile musician will embark on a tour for his new era starting this November. The artist WAYNE SNOW, originally from Nigeria but based in Brussels, has released his third album, ‘Snowdome’, under Curators. Building upon the groundwork established by the single ‘Fearless’, ‘Snowdome’ delves into the "tension between vulnerability and power, identity and imagination." The album features 10 tracks that fuse experimental soul, minimal pop, and unconventional electronics into a sound that is both personal and elevated. ‘Snowdome’ follows SNOW’s summer collaboration with the Amsterdam house duo ANOTR and 3DDY on ‘Hold On, Let Go’, which has received support from club and festival circuits by artists like Keinemusik, Jamie Jones, and Paul Woolford. This new album comes after SNOW's 2021 release ‘Figurine’ and his debut studio album ‘Freedom TV’, which was launched in 2017. SNOW will take ‘Snowdome’ to venues across Europe, Asia, and other regions this year, presenting a unique opportunity to experience the cinematic album live. He is set to perform at the Jazz Cafe on November 26th and at the Jam Jar in Bristol the following day. Additionally, the musician will appear alongside the legendary Jazzanova on select European and international dates. Tune in now. — — Photo Credit: Travys Owen — Join us on WeAre8 as we dive into global cultural events. Follow Clash Magazine HERE for a seamless journey through clubs, concerts, interviews, and photo shoots. Get backstage insights and a glimpse into our world as the excitement unfolds. Subscribe to the Clash mailing list for the latest updates on music, fashion, and film news.

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"I believe we could have achieved better results." Frederic Vasseur commented that Ferrari’s early choice to halt the development of its 2025 car took a greater psychological toll on the team than he had expected, even though Charles Leclerc’s podium finish in Austin provided some long-awaited relief. In an interview with Canal Plus, amidst ongoing discussions about his leadership and Ferrari’s direction, the Frenchman recognized that while the Scuderia's performance had marginally improved, the effects of a prolonged development freeze had dampened team morale. "Am I satisfied? Yes and no," Vasseur said. "We’ve shown improvement compared to recent races, which is positive. However, I feel we could have done better, as we were close." He expressed his thoughts on the strategic move to shift focus to 2026, stating, "The situation is somewhat frustrating. We ceased car development quite early, and I might have underestimated the psychological impact of that decision. Enduring 17 races without development poses a challenge for the whole team. This result today is encouraging, as it provides us with a boost." Leclerc’s third-place finish - Ferrari's first podium in several races - was a minor victory amidst a tense time for Maranello, following weeks filled with speculation about management conflicts and driver market rumors. Ferrari CEO Benedetto Vigna, who attended the event in Austin, praised the result as a sign of renewed unity. "It’s a podium we needed," he told Sky Italia. "When a team collaborates cohesively, the podium symbolizes all the hard work. I’m very pleased and satisfied with the current atmosphere. The beauty of F1 lies in its unpredictability; one must never lose hope." Leclerc shared an optimistic outlook after resisting Lando Norris for third place. "This is a great achievement, particularly considering the overall situation," he stated. "The latter half of the season has been challenging. There have been completely unfounded rumors about the team, and to demonstrate that we can remain focused and be rewarded with a podium finish is a really gratifying experience." Vasseur was quick to acknowledge both drivers for contributing to the team's morale at Maranello. "This is beneficial for the team," he remarked. "We require this development and two speedy cars. It’s advantageous that we can maximize points with both drivers. Lewis returned and outpaced Charles for two-thirds of the weekend." Hamilton, whose behind-the-scenes input has reportedly been vital in refining Ferrari’s strategies, noted the tangible progress made. "We attempted something new in qualifying, and it worked," he clarified. "We’re discussing the timing and its impact on tire temperatures, which subsequently affects the car’s speed." Vasseur concurred, stating, "We successfully managed the tires during qualifying. The car has potential, but effectively preparing the tires to reach the optimal working temperature and pressure is key." Meanwhile, Red Bull’s Dr. Helmut Marko made a light-hearted comment: "I think I should send Charles some boxes of Red Bull," he joked, referencing Leclerc’s tenacious defense against Norris that contributed to Verstappen’s latest victory. Nonetheless, as Ferrari aims for second place in the Constructors’ Championship and seeks its first win of the season, Vasseur's focus remains straightforward. "The goal is to secure a race victory," he emphasized. "We need to continue our efforts. The podium in Austin was a small step forward, but a very significant one."

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