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“Anger, Death, & Acceptance”: Stevie Knipe of Adult Mom Provides a Voice to Life’s Toughest Emotions on ‘Natural Causes’ - Atwood Magazine

“Anger, Death, & Acceptance”: Stevie Knipe of Adult Mom Provides a Voice to Life’s Toughest Emotions on ‘Natural Causes’ - Atwood Magazine

      Stevie Knipe shares their experiences living with cancer, expressing thoughts they previously found too daunting to articulate, and discusses the creation of Adult Mom's candid and poignant fourth album, 'Natural Causes' – a profoundly affecting project influenced by illness, resilience, and the newfound ability to communicate openly without rushing towards closure.

      Stream: ‘Natural Causes’ – Adult Mom

      After a decade with Adult Mom, Stevie Knipe has shifted away from seeking resolution in their writing.

      In fact, 'Natural Causes' occupies an entirely different realm – one where clarity serves not as an answer, but as a means to remain present within pain, lingering emotions, and unresolved issues. The album is molded by time, sickness, anger, and acceptance, yet it does not present itself as a comeback or a victory. It invokes listening over boasting.

      Throughout Adult Mom’s discography, Knipe has always penned songs with striking emotional clarity – tracks that feel as if they are being articulated for the first time, without armor or euphemisms. However, on 'Natural Causes', that raw honesty intensifies. Written from 2020 to 2023 and released via Epitaph this spring, the album comes after cancer treatments, long-evolving relationships, and a decade of personal and artistic reflection. What arises is not a conclusion, but simply existence.

      Time does not progress linearly on 'Natural Causes'. Tracks composed years apart now converse with each other; memories once overshadowed by the need for survival return with fresh depth and implications. The gap between the past and present does not dilute what transpired – it sharpens it, allowing Knipe to revisit earlier experiences from a transformed perspective and body.

      “It’s like a portal opening to view the past differently – realizing how many moments were complex and multifaceted, and how they still resonate within my body now,” Knipe tells Atwood Magazine.

      Rather than compressing experiences into mere metaphor, 'Natural Causes' embraces contradiction. Fury exists alongside gratitude. Humor intertwines with despair. Songs like “Benadryl” and “How About Now” portray illness candidly, devoid of sentimentality, while tracks like “Crystal” and “Headline” explore queerness, memory, and trauma through clarity rather than obscurity. Knipe invites listeners into the emotions directly, refusing to allow a detached observation.

      This invitation is reflected in the album's sound. 'Natural Causes' flows between vibrant immediacy and stripped-down intimacy, pairing acoustic restraint with moments of distortion and confrontation. The songs demand engagement rather than striving for a cathartic release – beginning with intensity, withdrawing unexpectedly, and resisting the urge to smooth over exposed emotional edges.

      The album’s standout tracks sharpen this emotional architecture. “Benadryl” portrays the isolating fog of chemotherapy with stark precision, as Knipe softly sings over delicate acoustic guitar while mundane, ordinary details bear the gravity of survival without embellishment. “Why don’t they have any windows here?” they ponder aloud. “Would it kill them to have something without a gray hue? If this is where the dyin’ go then perhaps they need to fit the dyin’ mood.” The song unfolds in fragments – uninspiring hospital rooms, IV Benadryl, jokes shared to endure – allowing exhaustion and dread to coexist without dramatization. “Every part of this becomes a new nightmare,” they admit, confronting the unrefined realities of their struggle before landing on a subtly hopeful note. “The light at the end keeps getting further out, but once again it flickers and blinks just enough for me to get through it again. Another day, another pain, but at the end of it I think I’ll be okay.” The intimacy of Knipe's performance makes the song feel as though the listener is beside them in the quiet interstice of treatment rather than navigating it alone.

      That same clarity permeates “Crystal,” which turns the lens inward. Rooted in seemingly buoyant folk textures that later erupt into fervent alt-rock, this song captures the dissonance of self-awareness while being misperceived – emotionally, romantically, and queerly. The song’s sweetness conceals a deeper pain, which surfaces as Knipe sings from the dual perspective of self-recognition and self-protection: “I am living in crystal / Two way glass / I can see myself / But you cannot see me back.” As the song intensifies and shatters, that internal dissonance finally expresses itself, transforming fragile introspection into something more forceful and unignorable. “Crystal” maintains that tension without resolution, allowing the anguish of misrecognition to linger as both a wound and a moment of hard-won clarity.

      As 'Natural Causes' nears its conclusion, the record confronts its most unrelenting inquiries – not merely about survival, but agency, resilience, and what it means to stay present amid uncertainty. If “Benadryl”

“Anger, Death, & Acceptance”: Stevie Knipe of Adult Mom Provides a Voice to Life’s Toughest Emotions on ‘Natural Causes’ - Atwood Magazine “Anger, Death, & Acceptance”: Stevie Knipe of Adult Mom Provides a Voice to Life’s Toughest Emotions on ‘Natural Causes’ - Atwood Magazine “Anger, Death, & Acceptance”: Stevie Knipe of Adult Mom Provides a Voice to Life’s Toughest Emotions on ‘Natural Causes’ - Atwood Magazine “Anger, Death, & Acceptance”: Stevie Knipe of Adult Mom Provides a Voice to Life’s Toughest Emotions on ‘Natural Causes’ - Atwood Magazine “Anger, Death, & Acceptance”: Stevie Knipe of Adult Mom Provides a Voice to Life’s Toughest Emotions on ‘Natural Causes’ - Atwood Magazine “Anger, Death, & Acceptance”: Stevie Knipe of Adult Mom Provides a Voice to Life’s Toughest Emotions on ‘Natural Causes’ - Atwood Magazine

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50. Sheep in the Box and Look Back (Hirokazu Kore-eda)  

Between 2013 and 2023, Hirokazu Kore-eda has produced eight features (with at least five considered outstanding, not accounting for his earlier works). The Japanese Palme d’Or winner is known for his enchanting family dramas and intricate mysteries, paired with his unwavering dedication. With two films set to premiere in 2026, Kore-eda is returning after a relatively brief three-year hiatus (aside from directors like Kiyoshi Kurosawa). Based on Tatsuki Fujimoto’s acclaimed work, Look Back explores the bond between two manga artists who have contrasting personalities, while the futuristic Sheep in the Box depicts a couple who welcomes a sophisticated humanoid as their son. – Luke H.

49. Cry to Heaven (Tom Ford)  

Tom Ford has expressed his desire to focus solely on filmmaking in the remainder of his career. His adaptation of Anne Rice's Cry to Heaven—his first project since the divisive Nocturnal Animals in 2016—is anticipated to mark the beginning of a new era characterized by Soderbergh-like productivity. Set in 18th-century Italy, the story revolves around two contrasting opera singers, potentially portrayed by Ford’s prior associates Nicholas Hoult and Aaron Taylor-Johnson, with a star-studded cast that includes Adele in her acting debut. Although filming starts in January, the Italian backdrop suggests he may be aiming for a Venice premiere. – Alistair R.

48. Untitled Jesse Eisenberg film  

In his upcoming feature, Jesse Eisenberg is set to direct a musical comedy centered on local theater. Featuring Julianne Moore, Paul Giamatti, and Halle Bailey, the untitled film tells the story of a timid woman captivated by a mysterious director after she lands a role in a local production. This bold follow-up from Eisenberg contrasts his previous exploration of shared grief in A Real Pain with a lighter tone that may resonate more with audiences. – Michael F.

47. October (Jeremy Saulnier)  

Following the tumultuous production of his 2024 film Rebel Ridge, which ultimately resulted in a commendable crime thriller and a fortunate recasting choice, writer-director Jeremy Saulnier is diving back into work with October. Renowned for his visceral filmmaking, Saulnier’s latest project is described as a horror-action-thriller set during Halloween, hinting at a return to form. With Rebel Ridge relegated to a Netflix release, it’s exciting to see him collaborate again with distributors A24, bringing along a notable cast that includes Imogen Poots from his previous film, along with James Badge Dale, and rising stars Chase Sui Wonders and Sophie Wilde, and showcasing Cory Michael Smith in his first leading role. – Mitchell B.

46. Primetime (Lance Oppenheim)  

Lance Oppenheim makes his narrative cinema debut with Primetime, inspired by Chris Hansen's work on Dateline and To Catch a Predator. This non-documentary feature stars Robert Pattinson as an investigative journalist, supported by a notable cast including Phoebe Bridgers and Merritt Weaver. Oppenheim’s documentaries often delve into unique community aspects and unconventional interactions, suggesting that Primetime will follow a similar thrilling vein. – Michael F.

45. Saturn Return (Greg Kwedar)  

Greg Kwedar, co-writer of Trains Dreams, is set to direct his latest film, Saturn Return, for Netflix. This romantic drama, featuring Charles Melton, Rachel Brosnahan, and Will Poulter, spans a decade, exploring the evolution from youthful college romance to the complexities of adulthood. If it mirrors the emotional depth of Kwedar’s last project, Sing Sing, Saturn Return may capture the simple yet poignant aspects of existence. – Michael F.

44. Burning Rainbow Farm (Justin Kurzel)  

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43. Whitney Springs (Trey Parker)  

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Continuing with part one of our 2026 movie preview, we are presenting our countdown of the 50 most-anticipated films of the year. 50. Sheep in the Box and Look Back (Hirokazu Kore-eda) Between 2013 and 2023, Hirokazu Kore-eda has produced eight features (with at least five considered outstanding, not accounting for his earlier works). The Japanese Palme d’Or winner is known for his enchanting family dramas and intricate mysteries, paired with his unwavering dedication. With two films set to premiere in 2026, Kore-eda is returning after a relatively brief three-year hiatus (aside from directors like Kiyoshi Kurosawa). Based on Tatsuki Fujimoto’s acclaimed work, Look Back explores the bond between two manga artists who have contrasting personalities, while the futuristic Sheep in the Box depicts a couple who welcomes a sophisticated humanoid as their son. – Luke H. 49. Cry to Heaven (Tom Ford) Tom Ford has expressed his desire to focus solely on filmmaking in the remainder of his career. His adaptation of Anne Rice's Cry to Heaven—his first project since the divisive Nocturnal Animals in 2016—is anticipated to mark the beginning of a new era characterized by Soderbergh-like productivity. Set in 18th-century Italy, the story revolves around two contrasting opera singers, potentially portrayed by Ford’s prior associates Nicholas Hoult and Aaron Taylor-Johnson, with a star-studded cast that includes Adele in her acting debut. Although filming starts in January, the Italian backdrop suggests he may be aiming for a Venice premiere. – Alistair R. 48. Untitled Jesse Eisenberg film In his upcoming feature, Jesse Eisenberg is set to direct a musical comedy centered on local theater. Featuring Julianne Moore, Paul Giamatti, and Halle Bailey, the untitled film tells the story of a timid woman captivated by a mysterious director after she lands a role in a local production. This bold follow-up from Eisenberg contrasts his previous exploration of shared grief in A Real Pain with a lighter tone that may resonate more with audiences. – Michael F. 47. October (Jeremy Saulnier) Following the tumultuous production of his 2024 film Rebel Ridge, which ultimately resulted in a commendable crime thriller and a fortunate recasting choice, writer-director Jeremy Saulnier is diving back into work with October. Renowned for his visceral filmmaking, Saulnier’s latest project is described as a horror-action-thriller set during Halloween, hinting at a return to form. With Rebel Ridge relegated to a Netflix release, it’s exciting to see him collaborate again with distributors A24, bringing along a notable cast that includes Imogen Poots from his previous film, along with James Badge Dale, and rising stars Chase Sui Wonders and Sophie Wilde, and showcasing Cory Michael Smith in his first leading role. – Mitchell B. 46. Primetime (Lance Oppenheim) Lance Oppenheim makes his narrative cinema debut with Primetime, inspired by Chris Hansen's work on Dateline and To Catch a Predator. This non-documentary feature stars Robert Pattinson as an investigative journalist, supported by a notable cast including Phoebe Bridgers and Merritt Weaver. Oppenheim’s documentaries often delve into unique community aspects and unconventional interactions, suggesting that Primetime will follow a similar thrilling vein. – Michael F. 45. Saturn Return (Greg Kwedar) Greg Kwedar, co-writer of Trains Dreams, is set to direct his latest film, Saturn Return, for Netflix. This romantic drama, featuring Charles Melton, Rachel Brosnahan, and Will Poulter, spans a decade, exploring the evolution from youthful college romance to the complexities of adulthood. If it mirrors the emotional depth of Kwedar’s last project, Sing Sing, Saturn Return may capture the simple yet poignant aspects of existence. – Michael F. 44. Burning Rainbow Farm (Justin Kurzel) Justin Kurzel has been adept at crafting compelling narratives from true crime tales, and following his career zenith with The Order, he returns with Burning Rainbow Farm. This film recounts the story of a couple running a cannabis-friendly community in rural Michigan whose lives are turned upside down when they clash with the law and lose custody of their young son, culminating in a dramatic siege. Sebastian Stan, fresh off an Oscar nomination for The Apprentice, stars alongside Leo Woodall in this love story about outliers challenging societal norms. – Mitchell B. 43. Whitney Springs (Trey Parker) Kendrick Lamar’s film debut is certainly unconventional, especially as it’s coming from the South Park team. Directed by Trey Parker and produced by Parker, Matt Stone, Lamar, and his partner Dave Free, the film is a dark comedy about a Black man who works as a slave reenactor and discovers his white girlfriend’s ancestors owned his ancestors.

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“Anger, Death, & Acceptance”: Stevie Knipe of Adult Mom Provides a Voice to Life’s Toughest Emotions on ‘Natural Causes’ - Atwood Magazine

Stevie Knipe shares their experience of living with cancer, expressing emotions that they previously felt unable to articulate through song. The creation of Adult Mom's candid and unfiltered fourth album, ‘Natural Causes,’ emerges as a deeply affecting work influenced by illness, resilience, and the hard-fought right to communicate openly without hastening towards closure.