A remarkable debut album...
06 · 03 · 2025
Divorce are redefining the norms of what a band can be. Their natural blend of humor and heartfelt sentiment is captivating. The unique quality of their non-binary band environment drives the rhythm of their eclectic spirit. Most crucially, their songs are exceptional, and their debut album ‘Drive To Goldenhammer’ fully showcases this.
The Nottingham-based quartet comprises Felix Mackenzie-Barrow (vocals, guitar), Tiger Cohen-Towell (vocals, bass), Adam Peter Smith (guitars, synths), and Kasper Sandstrøm (drums). In a press release, the band metaphorically describes Goldenhammer as a fictional location inspired by the culture of the East Midlands. They highlight this by creating a warm atmosphere throughout their record, focusing on the oral traditions of storytelling and emotionally charged lyrical themes. This not only provides a temporary retreat from the outside world but also reflects the essence of the post-industrial Midlands, where the people, often regarded as tough, are genuinely sweet and lovable—a facet of their local culture that the band feels is insufficiently represented in mainstream culture.
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From the initial laughter in ‘Antarctica’, Divorce’s sonic landscape invites you into a comforting space. It sets the ideal mood; ethereal fiddle melodies merge with hazy guitars and enchanting vocal harmonies, representing the band's diverse influences in country, rock, and pop. ‘Lord’ accelerates the energy, drawing inspiration from Tom Waits and Bruce Springsteen in its uplifting yet slightly eerie choruses. Another iconic figure referenced is Karen Carpenter, spotlighted in ‘Karen’, showcasing Cohen-Towell’s powerful vocals that honor Carpenter’s (sadly) misunderstood depth and humanity: “Playing a show / To some hundreds of reptiles / Who lick your silver hands / And say ‘silver’s out of style now, Karen’.”
‘Hangman’ stands out as an exuberant highlight, addressing the contrasting aspects of Mackenzie-Barrow’s previous role as a support worker. In contrast, the morphing track ‘Pill’ reveals the full spectrum of Divorce’s unconventional artistry, inspired by Cohen-Towell’s admiration for Glasgow, alongside sexual and emotional revelations. ‘Where Do You Go’ marks a slight divergence, strutting with confidence and exuding a vibe akin to St Vincent, while ‘Mercy’ concludes the album on a softer note, recorded intimately together with an underlying message of love as a healing force.
It’s a rare find to discover a debut album that radiates as much sincerity as ‘Drive To Goldenhammer’. Divorce never takes themselves overly seriously, always allowing space for smiles amidst sorrow, unafraid to express both tears and laughter. This honesty distinguishes them – they are more than just a band; they embody a comforting embrace.
Is it a contender for album of the year? Absolutely.
9/10
Words: Jamie Wilde
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Divorce is challenging the traditional expectations of what a band can embody. Their natural blend of humor and heartfelt emotion is captivating. There’s a feeling of uniqueness.