Rich, diverse, and overflowing with energy, Lou Phelps’ newest release ‘Chèlbè’ calls for complete immersion in movement. It represents a blended experience of rap and dance, taking listeners on a vibrant journey through Phelps' innermost thoughts, showcasing the most assured version of himself to date.
After grappling with self-doubt, the Haitian-Canadian artist has seemingly returned to three steadfast truths: he looks great, he has a stylish wardrobe, and his music is powerful. With contributions from Goldlink and Nono Black, ‘Chèlbè’ heralds a summer where, amidst global turmoil, partying becomes our form of resistance. Enjoyment serves as our defense mechanism.
More importantly, ‘Chèlbè’ stands as a statement of cultural pride. It sonically reflects the Haitian community’s infectious approach to life. Entirely produced by his brother Kaytranada, the album honors their heritage, grounded in joy and rhythm. Clash had the opportunity to speak with Phelps while he relaxed in Prague, discussing the album's title meaning and his musical evolution.
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You’re touring Europe with Kaytranada right now. Have any cities surprised you with their reactions?
Milan was actually really intriguing. I didn’t expect them to vibe with me so well. They were eager to party—screaming, jumping, dancing. I noticed everyone moving and having a good time. The challenge with performing is that you can’t always tell if the crowd is feeling it unless they sing along. But in Milan, I saw waves of energy; it felt like an ocean. I was also surprised by the hype from South Africa. When I showed up during Kay's set, they went wild.
With your music, even if listeners don’t know the lyrics, they can still feel it. You’ve perfected a classic groove while keeping it fresh. What sounds shaped your eclectic style growing up?
The first song that really grabbed my attention was ‘Wanna Be Startin’ Somethin’’ by Michael Jackson. I remember playing it on repeat. My parents also played a lot of Haitian music. We had a VHS filled with music videos recorded by my sisters during their trips to Haiti since we didn’t have BET in Canada. Kay and I would study those videos together, and that’s where our passion for hip-hop blossomed.
It’s impressive how ‘Chèlbè’ showcases the richness of Haitian culture. What do you want to convey to the world about being Haitian?
I just want to highlight how fun we are. Haitians are lively and love to celebrate. There’s something special about Haitian energy. I don’t want to sound outrageous, but every girl I’ve met has had a connection with a Haitian man at some point. We have this charm. We exude confidence, positivity, and are always smiling. That’s the vibe I aimed to express in this album.
You’ve captured that essence perfectly; the album is euphoric and vibrant. When creating a project like this, do you consider how people will experience it? Should they be listening in the car, or at a party?
Definitely, it’s music for summer road trips and rooftop parties. It’s designed for getting ready to go out with friends. I want listeners to feel empowered when they hear it, and I was purposeful about the timing of the release. I believe summer albums should drop in spring, so they’re ready when summer hits.
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You and Kay never fail to create magic together. What’s the collaborative process like between you two? Is there a distinction when you’re on his project versus him producing yours?
Kay curates a batch of beats he sends to various rappers, including me. For this album, he suggested I create a dance album. Initially, I hesitated, not wanting to be pigeonholed. But I thought, “Let’s give it a shot.” I chose the groovy tracks that resonated with me. I have a keen ear for beats, so he sends them my way, I rap over them, and if he likes them, they stay. When I’m on a Kaytranada album, I tend to push my limits a bit more, as he often selects beats I wouldn’t choose, going for the more unconventional ones. We rarely record together in the studio. I’m around during beat-making, but our recording sessions are mostly separate.
You mentioned pushing yourself harder when collaborating with Kaytranada. Is there a sense of competition among the featured artists, or is it more of a collective effort?
Not really. That’s where Kay’s magic lies. He collaborates with artists individually to ensure everyone feels comfortable and produces their best work. When he puts everything together, it elevates the project. Personally, I don’t feel competitive. I’m just happy to be involved.
You have a unique sound that integrates various genres. Do you find it hard to label yourself as hip-hop?
Not really.
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Luxurious, diverse, and overflowing with energy, Lou Phelps' newest release 'Chèlbè' compels complete immersion in motion. It creates a seamless blend of rap and dance,