Kendrick Lamar and SZA have always had a successful collaboration – both artists reigning in their genres, the rap genius and R&B star have worked together and supported each other publicly. Therefore, the Grand National tour feels like a natural progression – each sharing co-headlining responsibilities, this tour has excited fans and sparked conversations on social media.
As we traverse London, Clash reflects on the intriguing developments in Kendrick Lamar’s career. Interestingly, the 33 1/3 series has been released as an audiobook, so – tuning into Spotify – we delve into Sequioa Maner’s impressive analysis of ‘To Pimp A Butterfly’, a work rich in complexity and social commentary that arguably solidified Kendrick Lamar’s status as the premier lyricist of his generation. Moreover, his feud with Drake produced hits that showcased some of his most sharp-edged rhymes.
If that duality seems hard to reconcile, tonight reveals all the facets of Kendrick’s persona. The LA rapper kicks things off from a GNX vehicle, energizing the crowd even before he steps onto the stage. Placing ‘King Kunta’ early in the set is the first of several brilliant choices, with the rhythm of this co-headlined event proving to be exhilarating.
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SZA then takes center stage. The Maplewood singer exudes confidence, her vivid and personal lyrics resonating deeply with everyone present.
However, it’s not merely fan service. SZA, in particular, enjoys challenging her audience – how else could you explain her riding an animatronic ant during one of her soul-stirring performances?
Amid a summer filled with major tours, the stadium buzzes with energy that surpasses the crowd. This set is propelled by the fervor of both artists – SZA’s melodious voice can create entire worlds, and the overarching narrative sweeps you along. Kendrick is a focused, purposeful performer – not a typical showman, yet it’s hard to divert your gaze from him as the dynamic set unfolds briskly.
Ultimately, this performance is defined by significant moments. Kendrick’s catalog shines – hits like ‘Swimming Pools (drank)’, ‘HUMBLE’, and ‘Money Trees’ function as elements of a masterclass – while SZA asserts her songwriting prowess with powerful tracks such as ‘Kill Bill’, ‘Scorcese Baby Daddy’, and ‘Broken Clocks’. In short, these artists are at the peak of their craft.
Certainly, the most notable moment was arguably the most expected. ‘Not Like Us’ overwhelmed Drake’s achievements and dominated charts worldwide, with DJ Mustard’s unmistakable beat lifting everyone in the stadium out of their seats. Just weeks earlier, Drake had headlined all three nights of Wireless with high-profile guests, but the visceral impact of ‘Not Like Us’ felt transcendent, as thousands erupted with “A Minorrrrrr” in North London.
The duo concluded with ‘Luther’ and ‘Gloria’, wrapping up a concert that capitalized on their strengths. Although the dual-headline format can be challenging – with some tonal shifts between their music causing disorientation – Kendrick Lamar and SZA reinforced their positions as contemporary greats.
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Words: Robin Murray
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Each track is accompanied by a video featuring drag queens Kiki Cult and Hansun Lamb, which includes a script-flipping performance.
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