Wolf Alice have concluded one chapter and are set to embark on another. With their longstanding contract with Dirty Hit now complete, the band has signed with major label RCA. Boldly expanding their horizons, the Greg Kurstin-produced album ‘The Clearing’ reflects a band reaching beyond, yet still connecting with their roots; it’s a group capable of global exploration while finding comfort in their hometown of Seven Sisters. Offering a clear, often poignant pop experience, this album marks a departure from the past while remaining completely aligned with the principles that led to Wolf Alice's success.
The subtly introductory track ‘Thorns’ may initially seem misleading – it's a gentle entry into this new phase, but it quickly transitions into something larger and more defined. The lead single ‘Bloom Baby Bloom’ is monumental – Wolf Alice is unveiling talents they never knew they possessed, creating an epic, arena-sized anthem reminiscent of Fleetwood Mac for 2025.
‘Leaning Against The Wall’ packs a punch, while the brief mid-album gem ‘Passenger Seat’ delivers a vintage pop experience in just under two minutes.
Indeed, despite their indie rock foundation, much of ‘The Clearing’ has Wolf Alice exploring the late 70s musical style. The glamorous visuals enhance this experience, and throughout the album, influences from The Cars, ABBA, Blondie, and Stevie Nicks can be heard – it’s a declaration of purpose, a sign of ambition, indicating that Wolf Alice is prepared to advance to the next level.
Very much adhering to the classic album structure – featuring two sides of vinyl and a total of 11 tracks – the second half continues to elevate. The mini song cycle comprising ‘Bread Butter Tea Sugar’, ‘Safe In The World’, and ‘Midnight Song’ is rich with luminous studio finesse, with Greg Kurstin revealing new facets of the band.
There’s a consistent sense of a band truly raising their game – references to Guns N’ Roses feel relevant, as they are genuinely aiming for that level. However, closing with ‘The Sofa’ brings a touch of realism – Seven Sisters is still home, and despite the glamour of touring, Wolf Alice remains the same four kids who once had a residency at the Shoreditch venue, the Old Blue Last.
It’s a testament to Wolf Alice that such broad, ambitious, and distinctly pop content as ‘The Clearing’ can still stay connected to their origins. The settings may change, but the personalities endure – they are building upwards and wish to bring their audience along for the journey.
8/10
Words: Robin Murray
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