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Elujay Anuncia Nuevo Álbum ‘Una Charada Constante’

Elujay Anuncia Nuevo Álbum ‘Una Charada Constante’

Elujay, an artist and producer from Oakland, CA, is set to launch his new album, 'A Constant Charade,’ on November 21st through drink sum wtr.

 Ibibio Sound Machine Teams Up With Village Cuts For New EP

Ibibio Sound Machine Teams Up With Village Cuts For New EP

Ibibio Sound Machine has collaborated with Village Cuts on a new EP. Released now, the 'Anyone Like You' EP showcases Ibibio Sound Machine welcoming in the

 Afternoon Cycle to Honor the Quebec Music Scene

Afternoon Cycle to Honor the Quebec Music Scene

Clash has consistently backed Canadian music and this year joined forces with Canada House at Brighton's extensive new music event, The Great Escape.

 TEED Reveals Upcoming Album ‘Always With Me’

TEED Reveals Upcoming Album ‘Always With Me’

TEED is set to launch his new album 'Always With Me' on December 5th. The UK producer is now established on the West Coast of the United States and has recently shortened his

 Soft Cell to Release 'Martin' as a Single for Fans

Soft Cell to Release 'Martin' as a Single for Fans

Soft Cell will release a full single version of their fan-favourite track 'Martin' this Hallowe'en. This song is featured in the super deluxe 6CD boxset reissue.

 A Brief Getaway: An Interview with mustbejohn

A Brief Getaway: An Interview with mustbejohn

Based in St Albans but constantly traveling between London, Manchester, and various locations in between, mustbejohn is actively establishing a unique path for himself.

 Sherelle Collaborates with Killa P on the Track 'XTC Killa' from System Rattler.

Sherelle Collaborates with Killa P on the Track 'XTC Killa' from System Rattler.

The highly sought-after producer Sherelle collaborates with Killa P on the new track 'XTC Killa'. The club icon is anticipated to have a hectic Autumn, following the release of her new EP 'WITH A VENGEANCE'.

Art School Girlfriend is back with ‘L.Y.A.T.T.’

Art School Girlfriend has released a new single titled 'L.Y.A.T.T.' - listen to it now. This project is created by London-based artist Polly Mackey, who made her debut.

 Portugal. The Man Announces Upcoming Album ‘Shish’

Portugal. The Man Announces Upcoming Album ‘Shish’

Portugal. The Man is set to release their new album 'Shish' on November 7th. The band, originally from Alaska and now based in Portland, has had a busy year, focusing on (and

 Gilles Peterson, Fontaines D.C., Bricknasty, and others recognized at the Independent Music Awards.

Gilles Peterson, Fontaines D.C., Bricknasty, and others recognized at the Independent Music Awards.

The Association of Independent Music (AIM) has announced the recipients of The Independent Music Awards 2025. Gilles Peterson, the renowned broadcaster and DJ,

 Pem Makes a Comeback with Heartfelt Song ‘M4 Windy’

Pem Makes a Comeback with Heartfelt Song ‘M4 Windy’

Pem has released her new single 'M4 Windy'. The songwriter's upcoming EP 'cloud work', set for 2024, offers a profound portrayal of grief, highlighted by her bold lyrics crafted in the

 OpenAREA Debuts at Camley Street Reserve: A Fusion of Nature and Culture

OpenAREA Debuts at Camley Street Reserve: A Fusion of Nature and Culture

This autumn, OpenAREA introduces its main six-day program at Camley Street nature reserve, turning an urban green space into a vibrant platform for

 Massive Attack have refuted online claims that they utilize facial recognition technology in their live performances. The Bristol-based project is at the cutting edge of technology, art, and progressive political movements, strongly advocating for eco-politics and solidarity with Palestine. They frequently employ satire in their acts to critique authoritarian mindsets, although it appears one particular reference has been misunderstood by some. During an animated segment, the band parodied the implementation of facial recognition, which led to inaccurate reports suggesting that Massive Attack is collecting data from their audience. In a statement, the iconic Bristol group labeled these claims as "outright lies" while seeking to clarify the situation. “Last week, several platforms, including ‘Somewhere.Media’, ‘Hidden’, and others published stories concerning our live show and the supposed use of live facial recognition technology. “Propagated through the mindless replication channels of AI-generated Instagram accounts, the ‘story’ gained momentum, and between entertainment platforms and AI clone thought, nobody took the time to fact-check. Falsehoods and blatant lies spread alongside likes and shares. ‘Somewhere Media’ failed to adhere to any basic reporting standards, claiming that show material was ‘sourced from public databases.’” “No Massive Attack live show has ever recorded or retained personal data,” they further noted; “Only government bodies, authorized entities, and licensed contractors can access public databases in the UK, and it would be impossible to do this across multiple cities/countries.” Massive Attack went on to criticize the usage of public facial recognition in the UK, stating that the government is “exceeding almost all other western democracies in its use of public facial recognition … while there exists no specific legislation governing police use of these systems.” Recently, Massive Attack made an appearance at Kneecap’s OVO Wembley Arena concert to publicly support the Belfast band.

Massive Attack have refuted online claims that they utilize facial recognition technology in their live performances. The Bristol-based project is at the cutting edge of technology, art, and progressive political movements, strongly advocating for eco-politics and solidarity with Palestine. They frequently employ satire in their acts to critique authoritarian mindsets, although it appears one particular reference has been misunderstood by some. During an animated segment, the band parodied the implementation of facial recognition, which led to inaccurate reports suggesting that Massive Attack is collecting data from their audience. In a statement, the iconic Bristol group labeled these claims as "outright lies" while seeking to clarify the situation. “Last week, several platforms, including ‘Somewhere.Media’, ‘Hidden’, and others published stories concerning our live show and the supposed use of live facial recognition technology. “Propagated through the mindless replication channels of AI-generated Instagram accounts, the ‘story’ gained momentum, and between entertainment platforms and AI clone thought, nobody took the time to fact-check. Falsehoods and blatant lies spread alongside likes and shares. ‘Somewhere Media’ failed to adhere to any basic reporting standards, claiming that show material was ‘sourced from public databases.’” “No Massive Attack live show has ever recorded or retained personal data,” they further noted; “Only government bodies, authorized entities, and licensed contractors can access public databases in the UK, and it would be impossible to do this across multiple cities/countries.” Massive Attack went on to criticize the usage of public facial recognition in the UK, stating that the government is “exceeding almost all other western democracies in its use of public facial recognition … while there exists no specific legislation governing police use of these systems.” Recently, Massive Attack made an appearance at Kneecap’s OVO Wembley Arena concert to publicly support the Belfast band.

The Cure is set to perform a large festival set at Austria's Nova Rock next summer. The band is being tight-lipped about their plans for 2026, following an

 “Flat Out Falsehoods” No, Massive Attack Is Not Implementing Facial Recognition at Their Concerts.

“Flat Out Falsehoods” No, Massive Attack Is Not Implementing Facial Recognition at Their Concerts.

Massive Attack has denied online claims that they utilize facial recognition technology during their live performances. The Bristol-based project continues to lead in

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