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Morgan Hislop’s ‘Sitting By The Phone’ Exudes a Relaxed Vibe.

Morgan Hislop’s ‘Sitting By The Phone’ Exudes a Relaxed Vibe.

London-based artist Morgan Hislop has released a new single titled 'Sitting By The Phone'. He is widely recognized as a graphic designer and visual artist.

 Bibi Club Reveals Upcoming Album 'Amaro'

Bibi Club Reveals Upcoming Album 'Amaro'

The Canadian project Bibi Club is set to release their new album 'Amaro' next year. The band appears to be feeling inspired, having taken the stage last month at the Polaris.

 Newly Discovered Technicolour: An Interview with Just Mustard

Newly Discovered Technicolour: An Interview with Just Mustard

"I only want it to feel good," Katie Ball's voice resonates on the title track of Just Mustard's latest album. It's a declaration of purpose you may not

 Deck the Halls! Girls Aloud Officially Releases 'Christmas Round At Ours'

Deck the Halls! Girls Aloud Officially Releases 'Christmas Round At Ours'

Girls Aloud have officially released their beloved holiday project 'Christmas 'Round At Ours'. Selection boxes are now showing up in supermarkets.

 In Wales, the passage of the seasons is often signified by its music festivals. This past summer featured events like Green Man, the National Eisteddfod, and Tafwyl, among others. As autumn arrives, it's time for Sŵn. This weekend in October, that’s the topic of conversation, with Cardiff's music venues buzzing with talent. Starting at Womanby Street, a key location for the festival since 2007, we find AKA performing their first gig as a band on the downstairs stage of Clwb Ifor Bach, creating a notably special atmosphere. With synths, samples, a megaphone, and the impressive voice of former Mysterines guitarist Callum Thompson, they evoke the spirit of Gorillaz's debut album mixed with the edge of Fat White Family. They lack social media presence and music releases, making their strong debut embody the essence of Sŵn—it's a weekend dedicated to uncovering music that you probably haven't encountered before. Situated beneath Cardiff market on St Mary’s Street, Boho Club is one of the festival's new venues. Typically an R&B cocktail bar, it’s currently hosting the Welsh-language experimental group Tai Haf Heb Drigolyn. The space is packed with people trying to see the performance, and at one moment, about six musicians are crammed into what looks like a cave. Regardless, the performance leaves us amazed. Meanwhile, at Tiny Rebel, London artist Manga Saint Hilare blends a grime set with humorous commentary: “You all enjoy Welsh cakes; they’re amazing, right? I had one from the market. I usually get mine from M&S, but they just aren't as good.” This weekend, Cardiff's indoor market has been transformed for the wider Cardiff Music City Festival. The Grade II listed Victorian venue features a lineup of DJs and new bilingual broadcasters Radio Sudd amidst the usual food vendors. Neon Black, the lighting designers who have previously worked on the Sphere in Las Vegas, have illuminated the space for late-night enjoyment. This is the inaugural night market for Sŵn, which has enhanced the festival’s connection to Cardiff and proved to be a valuable addition. Next, Fuel hosts Tooth, confirming Sŵn's early acknowledgment of grunge's revival. This London band's take on Midwestern emo shines through in their song ‘The Age of Innocence,’ reminiscent of the Smashing Pumpkins. Their young age reflects their embrace of guitar music—missing the Britpop nostalgia of the 2010s, they connect more with America's ‘80s Sonic Youth and Dinosaur Jr. Similar to Brighton's Great Escape and Rotterdam's Left of the Dial, inner-city festivals like Sŵn serve as excellent indicators of the current music scene. KEO’s Friday set at Clwb contributes to the grunge revival conversation, with frontman Finn Keogh's vocals standing out. They share similarities with Wunderhorse, and having a guitar tech for a 250-capacity gig is a nice touch. Later, guitars and grunge give way to four synths and acid-house techno, featuring Adult DVD. Their debut performance in Cardiff is outstanding, with ‘Dogs In The Sun’ stirring the audience into a frenzy under strobe lights. Much of post-punk is shifting toward an electronic sound—this subgenre is notably trending throughout Sŵn. At Tiny Rebel, A Thousand Mad Things delivers a dark wave performance, enriched by William Barradale’s vocals—think of Nothing But Thieves’ Conor Mason meeting Boy Harsher, creating an intriguing and enjoyable mix. St John’s Church stands out as the most stunning new venue for Sŵn this year, with Gruff Rhys kicking off two days of performances there. It wouldn't be a Welsh festival without the Super Furries frontman. A priest greets attendees at the entrance, setting the performance's tone, which almost didn’t happen. Rhys humorously shares, “I went to Beauty Nails Canton for an emergency thumbnail. You can see it’s glossier than the others.” He goes on to perform a series of softer solo tracks over the same drum-machine rhythm at varying tempos, and his candidness entertains the audience. At Clwb, folk-guitar band Mên-an-Tol opens with a Celtic-influenced number that aligns with their band name—embracing the mandolin as a significant part of the first song. However, their subsequent Oasis-like sound feels less authentic. Expectations were also high for green star at The Canopi (AKA Sustainable Studios), a smaller addition to Sŵn with a 100-capacity. While there are promising elements in their performance, it’s challenging to tell if the vocals are too quiet or if they lack interest. The energy picks back up with Jessica Winter upstairs at Clwb, showcasing the current strength of synth-driven music. Her hyper-pop track ‘Big Star’ resonates with a beat reminiscent of Robbie Williams’ ‘Rock DJ.’ On Saturday at St John’s Church, Slate

In Wales, the passage of the seasons is often signified by its music festivals. This past summer featured events like Green Man, the National Eisteddfod, and Tafwyl, among others. As autumn arrives, it's time for Sŵn. This weekend in October, that’s the topic of conversation, with Cardiff's music venues buzzing with talent. Starting at Womanby Street, a key location for the festival since 2007, we find AKA performing their first gig as a band on the downstairs stage of Clwb Ifor Bach, creating a notably special atmosphere. With synths, samples, a megaphone, and the impressive voice of former Mysterines guitarist Callum Thompson, they evoke the spirit of Gorillaz's debut album mixed with the edge of Fat White Family. They lack social media presence and music releases, making their strong debut embody the essence of Sŵn—it's a weekend dedicated to uncovering music that you probably haven't encountered before. Situated beneath Cardiff market on St Mary’s Street, Boho Club is one of the festival's new venues. Typically an R&B cocktail bar, it’s currently hosting the Welsh-language experimental group Tai Haf Heb Drigolyn. The space is packed with people trying to see the performance, and at one moment, about six musicians are crammed into what looks like a cave. Regardless, the performance leaves us amazed. Meanwhile, at Tiny Rebel, London artist Manga Saint Hilare blends a grime set with humorous commentary: “You all enjoy Welsh cakes; they’re amazing, right? I had one from the market. I usually get mine from M&S, but they just aren't as good.” This weekend, Cardiff's indoor market has been transformed for the wider Cardiff Music City Festival. The Grade II listed Victorian venue features a lineup of DJs and new bilingual broadcasters Radio Sudd amidst the usual food vendors. Neon Black, the lighting designers who have previously worked on the Sphere in Las Vegas, have illuminated the space for late-night enjoyment. This is the inaugural night market for Sŵn, which has enhanced the festival’s connection to Cardiff and proved to be a valuable addition. Next, Fuel hosts Tooth, confirming Sŵn's early acknowledgment of grunge's revival. This London band's take on Midwestern emo shines through in their song ‘The Age of Innocence,’ reminiscent of the Smashing Pumpkins. Their young age reflects their embrace of guitar music—missing the Britpop nostalgia of the 2010s, they connect more with America's ‘80s Sonic Youth and Dinosaur Jr. Similar to Brighton's Great Escape and Rotterdam's Left of the Dial, inner-city festivals like Sŵn serve as excellent indicators of the current music scene. KEO’s Friday set at Clwb contributes to the grunge revival conversation, with frontman Finn Keogh's vocals standing out. They share similarities with Wunderhorse, and having a guitar tech for a 250-capacity gig is a nice touch. Later, guitars and grunge give way to four synths and acid-house techno, featuring Adult DVD. Their debut performance in Cardiff is outstanding, with ‘Dogs In The Sun’ stirring the audience into a frenzy under strobe lights. Much of post-punk is shifting toward an electronic sound—this subgenre is notably trending throughout Sŵn. At Tiny Rebel, A Thousand Mad Things delivers a dark wave performance, enriched by William Barradale’s vocals—think of Nothing But Thieves’ Conor Mason meeting Boy Harsher, creating an intriguing and enjoyable mix. St John’s Church stands out as the most stunning new venue for Sŵn this year, with Gruff Rhys kicking off two days of performances there. It wouldn't be a Welsh festival without the Super Furries frontman. A priest greets attendees at the entrance, setting the performance's tone, which almost didn’t happen. Rhys humorously shares, “I went to Beauty Nails Canton for an emergency thumbnail. You can see it’s glossier than the others.” He goes on to perform a series of softer solo tracks over the same drum-machine rhythm at varying tempos, and his candidness entertains the audience. At Clwb, folk-guitar band Mên-an-Tol opens with a Celtic-influenced number that aligns with their band name—embracing the mandolin as a significant part of the first song. However, their subsequent Oasis-like sound feels less authentic. Expectations were also high for green star at The Canopi (AKA Sustainable Studios), a smaller addition to Sŵn with a 100-capacity. While there are promising elements in their performance, it’s challenging to tell if the vocals are too quiet or if they lack interest. The energy picks back up with Jessica Winter upstairs at Clwb, showcasing the current strength of synth-driven music. Her hyper-pop track ‘Big Star’ resonates with a beat reminiscent of Robbie Williams’ ‘Rock DJ.’ On Saturday at St John’s Church, Slate

Shoegaze icons My Bloody Valentine have announced the complete lineup of supporting acts for their forthcoming headline performances. The band is set to hit the road again later this year.

 Spotify’s Fan Life Campaign is back with short films featuring actual fans and highlighting new global fandoms.

Spotify’s Fan Life Campaign is back with short films featuring actual fans and highlighting new global fandoms.

Spotify's Fan Life advertising campaign has returned! Fan Life embodies the energy, sound, and connection of fans and the communities they build together. The

 Sekou Unveils New Mixtape ‘In A World We Don’t Belong Pt. 1’

Sekou Unveils New Mixtape ‘In A World We Don’t Belong Pt. 1’

UK singer Sekou has announced his upcoming mixtape titled 'In A World We Don't Belong Pt. 1'. The songwriter has secured a spot in the BBC Sound Of 2024 poll, and

 Debbie Harry of Blondie desires Florence Pugh to portray her in an upcoming biopic.

Debbie Harry of Blondie desires Florence Pugh to portray her in an upcoming biopic.

Debbie Harry of Blondie expressed her desire for Florence Pugh to portray her in a biographical film. The idea of a movie chronicling the singer's life has been discussed for more than ten years.

 Ego Ella May Releases Impactful New Track 'We're Not Free'

Ego Ella May Releases Impactful New Track 'We're Not Free'

Ego Ella May makes a comeback with her impactful new track 'We're Not Free'. Released now, this single sees the South London singer expressing her own emotions regarding the

 Magdalena Bay presents us with the release of the double track ‘Human Happens’ / ‘Paint Me A Picture’.

Magdalena Bay presents us with the release of the double track ‘Human Happens’ / ‘Paint Me A Picture’.

These new releases collectively serve as “a spiritual successor” to their 2024 album ‘Imaginal Disk’.

 Nieve Ella reflects on her good fortune in her latest single "Lucky Girl."

Nieve Ella reflects on her good fortune in her latest single "Lucky Girl."

This gives us a glimpse of what to anticipate from her upcoming chapter that leans more towards rock.

 SASAMI enlists Soccer Mommy for a fresh version of ‘Just Be Friends’.

SASAMI enlists Soccer Mommy for a fresh version of ‘Just Be Friends’.

She states that this collaborative version "brings the country magic that I have always hoped would be in that song."

 Sleaford Mods announce the details of their upcoming album, 'The Demise Of Planet X.'

Sleaford Mods announce the details of their upcoming album, 'The Demise Of Planet X.'

They have also released a lead single that includes Big Special and actress Gwendoline Christie.

 Today's Feature: Avery Cochrane Illuminates in “Shapeshifting on a Saturday Night,” a Personal Exploration of Vulnerability - Atwood Magazine

Today's Feature: Avery Cochrane Illuminates in “Shapeshifting on a Saturday Night,” a Personal Exploration of Vulnerability - Atwood Magazine

Seattle singer-songwriter Avery Cochrane reveals her true self in the moving acoustic version of her popular single “Shapeshifting on a Saturday Night,” reflecting on profound questions of existence and self-image while celebrating her genuine identity.

Modern Music News: Fresh Releases, Chart-Toppers, and Key Industry Events

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